VALUTAZIONE IMDb
6,9/10
8430
LA TUA VALUTAZIONE
La tredicenne Sinikka scompare in una calda notte d'estate. La sua bicicletta viene trovata nel luogo esatto in cui una ragazza è stata uccisa ventitré anni fa.La tredicenne Sinikka scompare in una calda notte d'estate. La sua bicicletta viene trovata nel luogo esatto in cui una ragazza è stata uccisa ventitré anni fa.La tredicenne Sinikka scompare in una calda notte d'estate. La sua bicicletta viene trovata nel luogo esatto in cui una ragazza è stata uccisa ventitré anni fa.
- Premi
- 1 vittoria e 4 candidature
Amon Wendel
- Malte
- (as Amon Robert Wendel)
Lena Klenke
- Sinikka
- (as Anna-Lena Klenke)
Helene Luise Doppler
- Pia
- (as Helene Doppler)
Trama
Lo sapevi?
- QuizDirector Baran bo Odar has said that South Korean movie Memorie di un assassino (2003) was a big inspiration for this movie.
- BlooperAt the start of the TV interview the clock in the control room counts up to 21:40:11 until a cut. Several short scenes later the same clock is shown, again counting up to 21:40:11.
- Colonne sonorePia
written & produced by Michael Kamm, Kris Steininger (as Pas de Deux)
Recensione in evidenza
Baran bo Odar's film begins almost wordlessly on a sunny day in 1986. Two men driving along in a red car (Ulrich Thomsen, Wotan Wilke Möhring) encounter a young girl riding a bicycle (Helene Doppler). They pursue her into a cornfield where one of the men rapes her, kills her with a blow to the head and dumps her corpse in an adjacent lake.
Fast forward to 2009, and one of the two men (Möhring) has become a successful architect, married with two children, while the other (Thomsen) works full-time as a caretaker. The memory of that traumatic occasion haunts both of them, creating a complicated web of lies, deceit and implication that leads to the murder of another young girl (Anna-Lena Klenke).
The film's title not only refers to the silence practiced by the perpetrators of the original crime in 1986, but also describes other people's state of mind. For twenty-three years the murdered girl's mother (Katrin Sass) has kept silent about her harrowing ordeal; likewise the police inspector (Burghart Klaussner) who was involved in the original investigation but failed to achieve a result. It is only after this lengthy time-lapse that they decide to come out and voice their feelings, as well as trying to reconcile themselves to what happened in the past.
Shot in garishly bright colors (by Nikolaus Summerer) creating a world of apparently endless summer weather that nonetheless appears highly dystopian, THE SILENCE offers an insight into the pedophile mind, which often thinks it is doing nothing wrong, even while taking a perverted pleasure in watching child porn videos. The film also takes a look at the ways in which such people are allowed to flourish in societies that prefer to turn their collective backs on such unpleasant issues in the belief that everyone is fundamentally well-intentioned. bo Odar's film proves precisely the opposite; it is often the outwardly most respectable people that prove the most dangerous.
Fast forward to 2009, and one of the two men (Möhring) has become a successful architect, married with two children, while the other (Thomsen) works full-time as a caretaker. The memory of that traumatic occasion haunts both of them, creating a complicated web of lies, deceit and implication that leads to the murder of another young girl (Anna-Lena Klenke).
The film's title not only refers to the silence practiced by the perpetrators of the original crime in 1986, but also describes other people's state of mind. For twenty-three years the murdered girl's mother (Katrin Sass) has kept silent about her harrowing ordeal; likewise the police inspector (Burghart Klaussner) who was involved in the original investigation but failed to achieve a result. It is only after this lengthy time-lapse that they decide to come out and voice their feelings, as well as trying to reconcile themselves to what happened in the past.
Shot in garishly bright colors (by Nikolaus Summerer) creating a world of apparently endless summer weather that nonetheless appears highly dystopian, THE SILENCE offers an insight into the pedophile mind, which often thinks it is doing nothing wrong, even while taking a perverted pleasure in watching child porn videos. The film also takes a look at the ways in which such people are allowed to flourish in societies that prefer to turn their collective backs on such unpleasant issues in the belief that everyone is fundamentally well-intentioned. bo Odar's film proves precisely the opposite; it is often the outwardly most respectable people that prove the most dangerous.
- l_rawjalaurence
- 20 mag 2016
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- The Silence
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.300.000 € (previsto)
- Lordo Stati Uniti e Canada
- 100.214 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.992 USD
- 10 mar 2013
- Lordo in tutto il mondo
- 416.675 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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