On one part it is to be lauded the bravery of director Mezzapesa to shot everything in Black&Chrome, and to not indulge on the brutality of it, right from the beginning.
And yet, at the same time you can't help but feel how all of this seems to be smashed into your face in a too manneristic way: despite the absence of bright colors, everything's shines in a stylized way, which was undoubtedly researched by the director to convey an epic atmosphere
Another big point that attracted most of the attention was to see the acting debut of singer Elodie, in the role of a lady's boss in a secret affair with the son of the other rival family's Boss.
This is one of those kind of roles that greatly benefits from the already stunning appearance of the actress, but also from the hidden ability to transmit all of the right feelings, from Passion to Pain, due to being the one out of all of them that better knows the weight of her
and everyone's actions.
The rest of the cast serves well their roles, starting with Francesco Patanè as male protagonist Andrea, Lidia Vitale as the suffering but firmly tenacious Malatesta matriarch, and great veterans such as Michele Placido as the Boss of a third family which tries to be a peacemaker, and above all Tommaso Ragno as Michele Malatesta, Andrea's father and leader of the Malatesta, who opens the movie in a great way exposing soon the whole nature of it all, and that of a cold but efficient mobster too: too bad that he leaves the scene way too soon, I fear.
The secondary characters too all finely complete the picture thanks to their faces, all so grotesque in perfect symbiosis with the grey look of everything.
So, all in all, the movie does have great moments, especially the dialogues, and doesn't shy away at all from the concrete brutality of the situation, but all of that too often risks to be swayed by the too ambitious style; but still, if you manage to pass through it, it can offer more than it seems.