Creduto morto ed abbandonato su un pianeta remoto, Riddick deve sopravvivere ad una razza di predatori alieni, mentre due astronavi sono in rotta per il pianeta: una con un carico di mercena... Leggi tuttoCreduto morto ed abbandonato su un pianeta remoto, Riddick deve sopravvivere ad una razza di predatori alieni, mentre due astronavi sono in rotta per il pianeta: una con un carico di mercenari, l'altra con un uomo proveniente dal passato di Riddick.Creduto morto ed abbandonato su un pianeta remoto, Riddick deve sopravvivere ad una razza di predatori alieni, mentre due astronavi sono in rotta per il pianeta: una con un carico di mercenari, l'altra con un uomo proveniente dal passato di Riddick.
- Premi
- 2 candidature
Raoul Max Trujillo
- Lockspur
- (as Raoul Trujillo)
Noah Dalton Danby
- Nunez
- (as Noah Danby)
Keri Hilson
- Santana's Prisoner
- (as Keri Lynn Hilson)
Trama
Lo sapevi?
- QuizVin Diesel agreed to make a cameo appearance in The Fast and the Furious: Tokyo Drift (2006) in exchange for the rights to the "Riddick" franchise from Universal Pictures. This allowed him to produce this film independently.
- BlooperWhen Riddick is trying to get past the creature to the other side of the planet, the water in front of the stairs is deep enough that two of the creatures (one very large) can be fully submerged in it. However, when he runs back with the dog, it is shallow enough that he can slide across it without trouble.
- Versioni alternativeThe Extended Cut runs about 8 minutes and 9 seconds longer than the theatrical version. The Extended Cut has 2 additional scenes 2 extended scenes with alternate footage 1 alternative dialogue
- ConnessioniFeatured in Honest Trailers: Independence Day (2013)
Recensione in evidenza
Riddick is left for dead on an unknown planet with hostel indigenous predators. With a bounty on his head he calls upon the very people who want to have him killed in order to escape.
Director/writer David Twohy certainly delivers a fan pleasing sequel that fittingly harks back to the first instalment's roots in both story linkage and tone. While not as grand, fans of Chronicles will also be pleased with the stripped continuation back story and a cameo from Karl Urban's Vaako.
It's a good piece of science fiction action entertainment with decapitations, shootings, spaceships, a hostile planet, yes it's familiar and debatably derivative as the characters get picked off one by one, but as with Pitch Black Twohy effortlessly manages to create a convincing environment with new memorable biological creatures which is no easy task, to his credit it's no often lighting strikes twice given how many forgettable alien creatures have been put on screen. Yet, even though reminiscent Alien (1979) he manages to recreate what he did with the photosensitive, reptilians in his breakout 2000 film.
Vin Diesel returns as the character created by Jim Wheat & Ken Wheat- Riddick, this time he rekindles his previous edginess but the 'one Riddick and his dog' aspect expands the character, sneakily retaining some likability (especially for animal fans).
Given the way the production was funded the special effects are a mixed bag but serve their purpose. The first act is a special effect survival piece with sparse dialogue and smart action, with the second act taking place after an (unstated) amount of time when Riddick finds a small base. From then on its full of action setups, space motorcycles, conflicts and one-liners as the mercenaries and bounty hunters have to make an alliance with Riddick to survive an impending alien onslaught.
The supporting characters are developed just enough to be both identifiable, memorable and you almost care just enough to invest your time. Spanish actor Jordi Mollà gives a standout performance as the head hunting, unsavoury Santana, Total Recall (remake) actor Brokeem Woodbine gives some weight with his limited dialogue. Katee Sackhoff while feeling a little typecast still delivers the goods, even the remaining groups stereo-types are more fleshed out than they should be of the genre which adds to the enjoyment. Matt Nable is a good lead as Boss Johns whose character gives the story a (satisfying) little twist that those familiar with the original will see coming a mile off.
The closing is arguably abrupt but is possibly intentional as it leaves you wanting more. The critiques maybe a little hard on Riddick but considering it is a third in a film series spurred from such humble beginnings, an inviolate first (small comparison to is sequel) Riddick is entertaining viewing.
Director/writer David Twohy certainly delivers a fan pleasing sequel that fittingly harks back to the first instalment's roots in both story linkage and tone. While not as grand, fans of Chronicles will also be pleased with the stripped continuation back story and a cameo from Karl Urban's Vaako.
It's a good piece of science fiction action entertainment with decapitations, shootings, spaceships, a hostile planet, yes it's familiar and debatably derivative as the characters get picked off one by one, but as with Pitch Black Twohy effortlessly manages to create a convincing environment with new memorable biological creatures which is no easy task, to his credit it's no often lighting strikes twice given how many forgettable alien creatures have been put on screen. Yet, even though reminiscent Alien (1979) he manages to recreate what he did with the photosensitive, reptilians in his breakout 2000 film.
Vin Diesel returns as the character created by Jim Wheat & Ken Wheat- Riddick, this time he rekindles his previous edginess but the 'one Riddick and his dog' aspect expands the character, sneakily retaining some likability (especially for animal fans).
Given the way the production was funded the special effects are a mixed bag but serve their purpose. The first act is a special effect survival piece with sparse dialogue and smart action, with the second act taking place after an (unstated) amount of time when Riddick finds a small base. From then on its full of action setups, space motorcycles, conflicts and one-liners as the mercenaries and bounty hunters have to make an alliance with Riddick to survive an impending alien onslaught.
The supporting characters are developed just enough to be both identifiable, memorable and you almost care just enough to invest your time. Spanish actor Jordi Mollà gives a standout performance as the head hunting, unsavoury Santana, Total Recall (remake) actor Brokeem Woodbine gives some weight with his limited dialogue. Katee Sackhoff while feeling a little typecast still delivers the goods, even the remaining groups stereo-types are more fleshed out than they should be of the genre which adds to the enjoyment. Matt Nable is a good lead as Boss Johns whose character gives the story a (satisfying) little twist that those familiar with the original will see coming a mile off.
The closing is arguably abrupt but is possibly intentional as it leaves you wanting more. The critiques maybe a little hard on Riddick but considering it is a third in a film series spurred from such humble beginnings, an inviolate first (small comparison to is sequel) Riddick is entertaining viewing.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- The Chronicles of Riddick: Rule the Dark
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 38.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 42.025.135 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.030.375 USD
- 8 set 2013
- Lordo in tutto il mondo
- 98.337.295 USD
- Tempo di esecuzione1 ora 59 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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