Un thriller politico supportante la teoria secondo la quale fu in effetti Edward De Vere, Conte di Oxford a scrivere e comporre le opere teatrali di Shakespeare; il tutto ambientato sullo sf... Leggi tuttoUn thriller politico supportante la teoria secondo la quale fu in effetti Edward De Vere, Conte di Oxford a scrivere e comporre le opere teatrali di Shakespeare; il tutto ambientato sullo sfondo della successione al trono della regina Elisabetta I, e la ribellione degli Essex con... Leggi tuttoUn thriller politico supportante la teoria secondo la quale fu in effetti Edward De Vere, Conte di Oxford a scrivere e comporre le opere teatrali di Shakespeare; il tutto ambientato sullo sfondo della successione al trono della regina Elisabetta I, e la ribellione degli Essex contro di lei.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 7 vittorie e 12 candidature totali
- Earl of Essex
- (as Sebastian Reid)
Trama
Lo sapevi?
- QuizVanessa Redgrave and Joely Richardson play the older and younger versions of Queen Elizabeth respectively. In real life, they are mother and daughter.
- BlooperThe playwrights in the movie are all astonished that Romeo and Juliet is written in verse, specifically iambic pentameter. In fact, English drama had been written in verse for hundreds of years, and mostly in iambic pentameter for about the previous 25 years. Prose drama, not poetry, was the innovation.
- Citazioni
Anne De Vere: You, your friends, your blasphemous theater have brought nothing but ruin and dishonor to this family.
Ben Jonson: Ruin? Dishonor? My lady, you, your family, even I, even Queen Elizabeth herself will be remembered solely because we had the honor to live whilst your husband put ink to paper.
- Curiosità sui creditiApart from the production companies, the only opening credit is the movie's title, displayed on the marquee of the prologue's theater.
- ConnessioniFeatured in Maltin on Movies: The Rum Diary (2011)
- Colonne sonoreNight of the Long Knives
Written by Byrd & David Hirschfelder (as Hirschfelder)
Performed by David Hirschfelder
Courtesy of The Decca Music Group
Under licence from Universal Music Operations Ltd.
As an average movie-goer, I had no idea that Shakespeare's authorship was ever questioned. I didn't know there were theories that existed that other people might have been the true author of the plays, one of which the film focuses on is Oxford. But as far as what ANONYMOUS achieves, it certainly opened my mind as an individual that there is a possibility that another person might have been the true writer of the plays. I mean, why not? It makes the whole thing pertaining to Shakespeare's plays much more interesting. At the most basic level, ANONYMOUS does one thing right: It's damn interesting and entertaining.
Even as a person who never liked Shakespeare's plays (especially the dreaded ROMEO AND JULIET), the film manages to be involving. I was compelled throughout the film, and what makes it work are the actors. Most of them are on the top of their game, including Rhys Ifans who is unrecognizable as Oxford compared to his role in HARRY POTTER 7 PT.1. Even his stares are intense. Rafe Spall as William Shakespeare seems to have a field day with his role, portraying him as an attention-seeking, moneygrubbing actor. I'd also like to point out that Sebastian Armesto, playing Ben Jonson, seems to have an unexpected greater amount of sreentime than anyone else in the film, and he does well in his role as the aspiring writer who plays as a messenger between Oxford and Shakespeare.
Another interesting thing to point out is that the film really doesn't focus on the whole authorship debate a lot. We see that Oxford is the writer giving the scripts to Ben, but other than that, the film pretty much brushes it off to the side and, instead, focuses more on the relationship between Oxford and Queen Elizabeth I as well as the Essex Rebellion. As you can tell, the cast is pretty huge, and I have to admit the first 20 minutes of the film is pretty confusing. We're introduced to a world with many characters and time periods jumping all over the place, but it gets easier to grasp once you get to know the characters.
Overall, ANONYMOUS is an interesting and entertaining film that will get people talking about who the real author of the plays are. The least anyone would get out of it is two hours of a fun "what if?" scenario. The performances by the cast is what really makes the film, though. If it wasn't for the cast, the film wouldn't have worked. Additionally, haters of director Roland Emmerich might find themselves pleased that ANONYMOUS is a character-driven film that doesn't rely on things being destroyed every five minutes. I'd like to see him make more films like this.
- moviewizguy
- 27 set 2011
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Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 4.463.292 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.021.768 USD
- 30 ott 2011
- Lordo in tutto il mondo
- 15.395.087 USD
- Tempo di esecuzione2 ore 10 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1