Un'autista fuggitiva in pensione viene trascinata nel suo passato spiacevole quando un ex datore di lavoro le offre la possibilità di salvare la vita del suo inaffidabile ex fidanzato.Un'autista fuggitiva in pensione viene trascinata nel suo passato spiacevole quando un ex datore di lavoro le offre la possibilità di salvare la vita del suo inaffidabile ex fidanzato.Un'autista fuggitiva in pensione viene trascinata nel suo passato spiacevole quando un ex datore di lavoro le offre la possibilità di salvare la vita del suo inaffidabile ex fidanzato.
- Regia
- Sceneggiatura
- Star
Jon Elliott
- Stilts
- (as Jon Elliott Solomon)
Recensioni in evidenza
This move is "Meh". It suffered from poor writing and not knowing what it was trying to be. Samara Weaving saved this movie from being tossed in the trash. They had Andy Garcia, & Steve Zahn, & failed to use them. The John (Her Blindspot) character was horrible.
Maybe I'm missing something, or fell asleep and didn't realize it, or just don't get the joke they were telling. So, I'm going to scour the review sights, and put up an episode of "Lunchbreak Reviews" on this! Let me know if you agree, disagree, or want to talk about it on the podcast!
Maybe I'm missing something, or fell asleep and didn't realize it, or just don't get the joke they were telling. So, I'm going to scour the review sights, and put up an episode of "Lunchbreak Reviews" on this! Let me know if you agree, disagree, or want to talk about it on the podcast!
I just finished "Eenie Meanie" and I'm left wondering what the point was. The film's script is so incredibly weak that it makes the entire experience feel ponderous and slow. The dialogue is unnatural and tries way too hard to be witty, which just comes off as forced and cringeworthy. I was really looking forward to this, especially after seeing Samara Weaving in the trailer, who is usually amazing. But even she can't save the central relationship between the main character, Edie, and her ex-boyfriend. He's so utterly unlikable and a walking liability that it's impossible to believe why she would go to such lengths for him. It's frustrating to watch and completely undermines her strength.
Is it worth watching? Not really. It's a classic case of a film that has a decent cast and a tired premise, but gets held back by its flimsy plot and sluggish pace.
Is it worth watching? Not really. It's a classic case of a film that has a decent cast and a tired premise, but gets held back by its flimsy plot and sluggish pace.
It's shallow, with the plot and vibe bringing little to the table, yet I enjoyed every minute of it. I wasn't preached at, signaled at what the correct world view I was supposed to have, or even tried to impress me with masterful writing or directing. If I was rating this movie in an earlier year, I would probably rate it lower. But with absolute unwatchable garage getting 7-8 ratings, this easily scores as a 7 in my book.
This is like a low-effort version of 'Crank' - less action, more 'vibe'. If you aren't in the mood for that vibe, it might rub you the wrong way. Decent enough car scenes to be entertaining, decent enough acting to sell the casual 'what did I do?' vibe, and chaotic enough to entertain.
This is like a low-effort version of 'Crank' - less action, more 'vibe'. If you aren't in the mood for that vibe, it might rub you the wrong way. Decent enough car scenes to be entertaining, decent enough acting to sell the casual 'what did I do?' vibe, and chaotic enough to entertain.
Criminal at the age of 15, Edie has had a turbulent life.. but she got out. In a lapse of judgment, she visits her ex and becomes tangled into doing one more of those "do or die" kind of jobs.
Watched for Samara Weaving's charming performance (as always), but was surprised with a very competent script. It has a lot of setup, and the payoff isn't that grand.. but it is mostly about her character arc and it is satisfying to watch. It is simple and efficient.
Her "ex" character is awful, and unlikeable.. but the actor delivers exactly what is expected of him. Was also a bit surprised at Jermaine Fowler's performance.
I would recommend it every time (as a less flashy Baby Driver), but know that it probably would not work without the leading actress. She's just good.
Watched for Samara Weaving's charming performance (as always), but was surprised with a very competent script. It has a lot of setup, and the payoff isn't that grand.. but it is mostly about her character arc and it is satisfying to watch. It is simple and efficient.
Her "ex" character is awful, and unlikeable.. but the actor delivers exactly what is expected of him. Was also a bit surprised at Jermaine Fowler's performance.
I would recommend it every time (as a less flashy Baby Driver), but know that it probably would not work without the leading actress. She's just good.
As the title suggests, this movie felt like one of those typical "Netflix movies" - only this time it's a Hulu original. By "Netflix movie", I mean something that's good enough to keep you watching until the end, but lacking in soul.
The story was interesting enough to hold my attention, but ultimately forgettable and nothing new. I didn't care about the characters enough to root for them or feel with them, though the strong cast kept me engaged. Scene after scene, I could sense exactly what the movie wanted me to feel, but I never actually felt it.
In short: if your watchlist is empty and you've got the time, go ahead and give it a try. Otherwise, you might walk away disappointed.
The story was interesting enough to hold my attention, but ultimately forgettable and nothing new. I didn't care about the characters enough to root for them or feel with them, though the strong cast kept me engaged. Scene after scene, I could sense exactly what the movie wanted me to feel, but I never actually felt it.
In short: if your watchlist is empty and you've got the time, go ahead and give it a try. Otherwise, you might walk away disappointed.
Lo sapevi?
- QuizSamara learned to drive for the role
- BlooperIn the opening scene with her parents, Edie is 14 years old. The movie flashes forward to 14 years later, making Edie 28. Later in the movie, there is a reference to when Edie was 15 and a comment that it was 15 years ago, making Edie 30. Later in the movie where she's sitting the car talking to her dad again, she says, "18 years is a long time not to go get your daughter."
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Dettagli
- Tempo di esecuzione
- 1h 46min(106 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
- 2.39:1
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