VALUTAZIONE IMDb
5,3/10
2402
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA group of medical aid workers in Kosovo are kidnapped by a Serbian gang of organ traffickers.A group of medical aid workers in Kosovo are kidnapped by a Serbian gang of organ traffickers.A group of medical aid workers in Kosovo are kidnapped by a Serbian gang of organ traffickers.
- Premi
- 3 vittorie
Jana Bittnerová
- La soeur des ferrailleurs
- (as Jana Bittnerova)
Trama
Lo sapevi?
- QuizAt the beginning of the film it was written in French that film was made based on true events. However, it is the trade in human organs in Kosovo, replacing the classical theory film presented in a way that is contrary to what is really happening. Serbs were Albanian victims of organ harvesting.
Recensione in evidenza
The film starts in Yugoslavia, crosses borders into Kosovo and ends at the back of a UN jeep.
War is perpetual. That is obvious and that is also the message in a cage where there is no mercy, no compassion or respect for life when the rush of war takes over. It is an imperative that it be so, such is the obstinate nature of war and 'Captifs'.
Director Yaan Gozlan's first feature length moves you with atmosphere, sound and baffling and hypnotic camera work. sometimes it moves you inside out and you can also watch it happening (derealisation in films).
'Captifs' is like a kid casually telling a story and suddenly everything gets very serious, extremely uncomfortable and horrific. Some scenes make you want to look away, but you don't; such is the pull of this film.
The film has it's faults but I'd rather stick to the film as whole; I'd rather tell you the good and you figure the bad for yourself, or maybe not. That's why.
In the end it is, in my opinion, telling you how it feels to be at war. How it must feel to not be forgiven, to see madness in the oppressor's eye and then, eventually to start relating to the look.
It left something back. Something that cannot be shed or shaken off.
War is perpetual. That is obvious and that is also the message in a cage where there is no mercy, no compassion or respect for life when the rush of war takes over. It is an imperative that it be so, such is the obstinate nature of war and 'Captifs'.
Director Yaan Gozlan's first feature length moves you with atmosphere, sound and baffling and hypnotic camera work. sometimes it moves you inside out and you can also watch it happening (derealisation in films).
'Captifs' is like a kid casually telling a story and suddenly everything gets very serious, extremely uncomfortable and horrific. Some scenes make you want to look away, but you don't; such is the pull of this film.
The film has it's faults but I'd rather stick to the film as whole; I'd rather tell you the good and you figure the bad for yourself, or maybe not. That's why.
In the end it is, in my opinion, telling you how it feels to be at war. How it must feel to not be forgiven, to see madness in the oppressor's eye and then, eventually to start relating to the look.
It left something back. Something that cannot be shed or shaken off.
- zuhairvazir
- 26 gen 2014
- Permalink
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 190.312 USD
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Proporzioni
- 2.35 : 1
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