La vita privata accuratemente coltivata di un uomo viene messa a soqquadro dalla visita inaspettata della sorellaLa vita privata accuratemente coltivata di un uomo viene messa a soqquadro dalla visita inaspettata della sorellaLa vita privata accuratemente coltivata di un uomo viene messa a soqquadro dalla visita inaspettata della sorella
- Nominato ai 2 BAFTA Award
- 51 vittorie e 94 candidature totali
Charisse Bellante
- Live Chat Woman
- (as Charisse Merman)
Trama
Lo sapevi?
- QuizThe first time Michael Fassbender saw the film was with his father Josef. Both were relieved that his mother Adele could not make the screening.
- BlooperWhen Brandon is on the subway looking at the woman we see Fulton behind him on the wall of the subway tunnel. The train moves and a few minutes have passed. Next, when the woman exists the train and he follows her, we see that they are again at Fulton station.
- Citazioni
Sissy Sullivan: We're not bad people. We just come from a bad place.
- Curiosità sui creditiNo opening credits apart from the movie's title.
- ConnessioniFeatured in At the Movies: Venice Film Festival 2011 (2011)
- Colonne sonoreAria from the Goldberg Variations
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Masterworks and the Glenn Gould Estate
Licensed by Sony Music Entertainment UK Ltd
Recensione in evidenza
"We're not bad people. We just come from a bad place."
The film is profoundly sad. It brilliantly depicts what is the true effect of addiction. How it sucks the life out of someone until they are forced to give in to their desire, thus becoming just a hollow shell of a person. The whole thing has an unsettling vibe to it, and the color tone and cinematography do help the story to move forward. Steve McQueen as a director really shines here. He tells the story with subtlety, like there some scenes where the characters don't say much, and he relies on visuals to do the work.
As for the acting, Michael Fassbender is insanely brilliant as he is in all of his other films. This role requires a lot from him like he has to be charismatic, also has to bring a sense of vulnerability to the character which he does amazingly. Carey Mulligan's character is sort of this broken person who clearly has a past with her brother, at least that's what I got from some of their awkward encounters.
It's kind of a tough film to sit through, so it's not recommended for everyone.
The film is profoundly sad. It brilliantly depicts what is the true effect of addiction. How it sucks the life out of someone until they are forced to give in to their desire, thus becoming just a hollow shell of a person. The whole thing has an unsettling vibe to it, and the color tone and cinematography do help the story to move forward. Steve McQueen as a director really shines here. He tells the story with subtlety, like there some scenes where the characters don't say much, and he relies on visuals to do the work.
As for the acting, Michael Fassbender is insanely brilliant as he is in all of his other films. This role requires a lot from him like he has to be charismatic, also has to bring a sense of vulnerability to the character which he does amazingly. Carey Mulligan's character is sort of this broken person who clearly has a past with her brother, at least that's what I got from some of their awkward encounters.
It's kind of a tough film to sit through, so it's not recommended for everyone.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Shame: deseos culpables
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.909.002 USD
- Fine settimana di apertura Stati Uniti e Canada
- 361.000 USD
- 4 dic 2011
- Lordo in tutto il mondo
- 19.126.823 USD
- Tempo di esecuzione1 ora 41 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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