Un cacciatore e Bianca Neve tentano di sconfiggere la regina malvagia.Un cacciatore e Bianca Neve tentano di sconfiggere la regina malvagia.Un cacciatore e Bianca Neve tentano di sconfiggere la regina malvagia.
- Candidato a 2 Oscar
- 13 vittorie e 33 candidature totali
Trama
Lo sapevi?
- QuizRavenna's powers are based on the legend of Erszebet (or Elizabeth) Bathory, a 17th-century Hungarian potentate who allegedly consumed and bathed in the blood of murdered young girls in an attempt to rejuvenate herself.
- BlooperWhile fleeing the castle astride the white horse, despite having mounted and later mired the steed with neither saddle, blanket, nor reins, there are several shots where snow white's posture is much too straight for a bareback rider, but a rider in a saddle and stirrups which have been digitally removed, and where Snow White's hands are positioned exactly where digitally removed reins would be as well, and (at around 28 mins) the blanket has been left a bit too clearly visible to be all that easily missed.
- Citazioni
[first lines]
The Huntsman: [narration] Once upon a time, in deep winter, a queen was admiring the falling snow, when she saw a rose blooming in defiance of the cold. Reaching for it she pricked her finger and three drops of blood fell. And because the red seemed so alive against the white she thought, "If only I had a child as white as snow, lips as red as blood, hair as black as a raven's wings, and all with the strength of that rose." Soon after a daughter was born to the queen and was named Snow White.
- Versioni alternativeThe Extended Version contains 5 new scenes and runs ~4 minutes longer than the Theatrical Version.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #20.136 (2012)
- Colonne sonoreWhat Will You Do?
Written by June Tabor and Maddy Prior
Recensione in evidenza
'Snow White and the Huntsman' did have potential. The trailers looked decent, and Charlize Theron, Chris Hemsworth and all the actors playing the dwarfs have been responsible for great work in their careers.
However, although she has given good performances outside of 'Twilight', this reviewer doesn't care hugely for Kristen Stewart (though she is not a detractor either) and cares even less for the 'Twilight Saga'. So expectations prior to seeing the film, a live-action re-imagining of the classic fairy tale, were mixed.
Watching it finally at a film night with friends, 'Snow White and the Huntsman' wasn't as bad as feared and does have a good amount going for it, but it should have been much better than it was.
First and foremost, starting with the good assets, the best things about 'Snow White and the Huntsman' are the production values and Charlize Theron. The film is very beautiful to look at, with luscious but also atmospheric photography, Gothic but also elegant and rustic set and scenery design and lavish costumes (Ravenna's are a knockout). The special effects are mostly fine too. Ravenna is the one character that 'Snow White and the Huntsman' properly tries to develop (and it does so reasonably, but there are parts that could have been elaborated upon more), and Theron positively sinks her teeth into the character, giving a very enjoyably hammy (sometimes), sinister and also tragic interpretation.
James Newton Howard's score complements very well, it's beautifully orchestrated, rousing, elegiac, atmosphere-enhancing and very involving. Hemsworth is appropriately stone-faced and brooding as the Huntsman, displaying charisma and emotion. Sam Claflin does well too, though with an underwritten character.
Was mixed however on the dwarfs and Rupert Sanders' direction. The dwarfs are very enjoyably characterised, with all of them displaying much needed character, humour and charm, more so than their material deserved. Ian McShane is particularly noteworthy. However, they are written in a very glossed over and bland fashion, almost like they were written as an afterthought. The decision to scale down the actors may not work for some people, those who feel that casting real-life dwarfs would have fared better, personally enjoyed the performances but felt it would have been better if Warwick Davis played all of them. Sanders' direction exudes confidence visually, but in the chemistry between actors, direction of some of the actors and direction of the drama he seemed ill at ease.
The biggest problem with 'Snow White and the Huntsman' is Stewart (an opinion this reviewer well before reading the reviews for the film, so this is own opinion talking), she gives a very wooden, expressionless and one-note (constant surprise and "sucking on lemon"-like) performance that makes identifying and sympathising with Snow White incredibly difficult. A shame because her younger child counterpart was very believable. The story has moments (mainly with Theron), but flounders from a lack of chemistry in the pivotal relationship between Stewart and Hemsworth, a particularly dull middle act and stuff brought up but barely explored giving an incomplete and jumpy feel to the storytelling.
Action is episodic and lacking in tension and excitement generally, while the script clunks badly and the characters are bland with the exception of Ravenna. They do start trying to develop the Huntsman but the development is forgotten about once he becomes protector and lover.
Overall, looks great but fails to engage narratively. Not awful, not great, wildly uneven more like. 5/10 Bethany Cox
However, although she has given good performances outside of 'Twilight', this reviewer doesn't care hugely for Kristen Stewart (though she is not a detractor either) and cares even less for the 'Twilight Saga'. So expectations prior to seeing the film, a live-action re-imagining of the classic fairy tale, were mixed.
Watching it finally at a film night with friends, 'Snow White and the Huntsman' wasn't as bad as feared and does have a good amount going for it, but it should have been much better than it was.
First and foremost, starting with the good assets, the best things about 'Snow White and the Huntsman' are the production values and Charlize Theron. The film is very beautiful to look at, with luscious but also atmospheric photography, Gothic but also elegant and rustic set and scenery design and lavish costumes (Ravenna's are a knockout). The special effects are mostly fine too. Ravenna is the one character that 'Snow White and the Huntsman' properly tries to develop (and it does so reasonably, but there are parts that could have been elaborated upon more), and Theron positively sinks her teeth into the character, giving a very enjoyably hammy (sometimes), sinister and also tragic interpretation.
James Newton Howard's score complements very well, it's beautifully orchestrated, rousing, elegiac, atmosphere-enhancing and very involving. Hemsworth is appropriately stone-faced and brooding as the Huntsman, displaying charisma and emotion. Sam Claflin does well too, though with an underwritten character.
Was mixed however on the dwarfs and Rupert Sanders' direction. The dwarfs are very enjoyably characterised, with all of them displaying much needed character, humour and charm, more so than their material deserved. Ian McShane is particularly noteworthy. However, they are written in a very glossed over and bland fashion, almost like they were written as an afterthought. The decision to scale down the actors may not work for some people, those who feel that casting real-life dwarfs would have fared better, personally enjoyed the performances but felt it would have been better if Warwick Davis played all of them. Sanders' direction exudes confidence visually, but in the chemistry between actors, direction of some of the actors and direction of the drama he seemed ill at ease.
The biggest problem with 'Snow White and the Huntsman' is Stewart (an opinion this reviewer well before reading the reviews for the film, so this is own opinion talking), she gives a very wooden, expressionless and one-note (constant surprise and "sucking on lemon"-like) performance that makes identifying and sympathising with Snow White incredibly difficult. A shame because her younger child counterpart was very believable. The story has moments (mainly with Theron), but flounders from a lack of chemistry in the pivotal relationship between Stewart and Hemsworth, a particularly dull middle act and stuff brought up but barely explored giving an incomplete and jumpy feel to the storytelling.
Action is episodic and lacking in tension and excitement generally, while the script clunks badly and the characters are bland with the exception of Ravenna. They do start trying to develop the Huntsman but the development is forgotten about once he becomes protector and lover.
Overall, looks great but fails to engage narratively. Not awful, not great, wildly uneven more like. 5/10 Bethany Cox
- TheLittleSongbird
- 10 giu 2016
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Blancanieves y el Cazador
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 170.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 155.332.381 USD
- Fine settimana di apertura Stati Uniti e Canada
- 56.217.700 USD
- 3 giu 2012
- Lordo in tutto il mondo
- 396.592.829 USD
- Tempo di esecuzione2 ore 7 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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