Un motociclista acrobatico decide di rapinare banche per poter sostenere la sua compagna ed il loro figlio neonato, ma questa decisione lo metterà del mirino di un ambizioso poliziotto.Un motociclista acrobatico decide di rapinare banche per poter sostenere la sua compagna ed il loro figlio neonato, ma questa decisione lo metterà del mirino di un ambizioso poliziotto.Un motociclista acrobatico decide di rapinare banche per poter sostenere la sua compagna ed il loro figlio neonato, ma questa decisione lo metterà del mirino di un ambizioso poliziotto.
- Premi
- 5 vittorie e 22 candidature
Angelo Anthony Pizza
- Baby Jason
- (as Anthony Angelo Pizza Jr.)
John Facci
- Priest
- (as Rev. John Facci)
Trama
Lo sapevi?
- QuizIn the audio commentary, co-writer and director Derek Cianfrance says that his financier would give him the budget he wanted if he shrank the 158-page script to 120 pages. Without removing anything, he used a smaller font and extended the margins. He says no one noticed.
- BlooperJason steals "oxys" - Oxycontin or Oxycodone - from the pharmacy shelf. Both these drugs are "CII" (Schedule II) controlled substances, the most restrictive classification for legal drugs. Federal law mandates that they be kept under lock and key to prevent easy access by thieves. They would not be kept on the shelf.
- Versioni alternativeAlthough US distributor Focus Features has never released a longer version of its films and considers the theatrical version the director's cut, in April 2013, director Derek Cianfrance stated that he 'looked forward to putting many deleted scenes onto the upcoming DVD/BD releases that could add up to a total runtime of approx. 20 minutes. As of October 2023, however, this extended cut has yet to materialize.
- ConnessioniFeatured in Maltin on Movies: Trance (2013)
- Colonne sonoreMiserere Mei
Written by Gregorio Allegri
Arranged by Vladimir Ivanov (as Vladimir Ivanoff)
Performed by Osnabrück Youth Choir
Johannes Rahe, Director
Courtesy of DA MUSIC/CCnC, Germany
www.ccnc.com/CultureWare
Music/Marren MV
By arrangement with Hearts of Space Records
Valley Entertainment, Inc.
Recensione in evidenza
"The Place Beyond the Pines" is the second feature film with the director/actor pair of Derek Cianfrance and Ryan Gosling. The two together are a two man wrecking force who show resemblance of a DiCaprio/Scorsese dynamic. In this film, they tackle an ambitious, emotional and completely original tale about fathers and sons, sins of the father, generational consequences, and how one moment can send shockwaves lasting a lifetime.
The movie is broken into three acts, each as compelling and unpredictable as the one before it. The film centers around three main characters, somehow, all connected to each other. It stars Ryan Gosling, Bradley Cooper and Dane DeHann as the leads. Ryan Gosling channels the brooding reticence of his unnamed badass from "Drive" and the cool swagger of Tyler Durden from "Fight Club." Bradley Cooper displays a lot of versatility as he plays a nervy rookie cop. Some other actors who shine here are Ben Mendelsohn, Mahershala Ali, Bruce Greenwood, and Ray Liotta (with his signature menacing intensity). The actors really own their roles and allow for the viewers to connect with the portrayal of their sympathetic characters. The only problem here is that the newcomer actors (Dane DeHaan and Emory Cohen) don't carry their act as effectively and emotionally as Ryan Gosling and Bradley Cooper did.
The story here is ambitious and succeeds in telling a new and refreshing tale that filmgoers have not seen or experienced on this level of deep sophistication in ages. The film transcends movie tropes and plots as it takes a realistic, gritty, and life-like spin on traditional storytelling. "Pines" is more than just a movie. It is an exploration and examination of the human experience, spirit, and conscience.
To match the film's sensational storytelling and acting is the phenomenal directing, cinematography, and music. Everything about the filmmaking craft helps enhance the emotional impact, and real life gravity of the film. It isn't just some action crowd pleaser or CGI-infested cash grab. Nor is it some black and white 'good guys vs bad guys' rehashed plot Hollywood has been spewing out for the last quarter-century. It's an emotional, heart- wrenching, and enriching drama in which you see every character as a human person capable of love, forgiveness, and sinful actions. It is a powerhouse of craftsmanship. Director Derek Cianfrance expertly weaves together a complex and emotionally draining epic that puts an emphasis on how one moment/decision can affect generations to come. He also concocts immersive third-person POV tracking shots which greatly add to the occasional thrills of the film. The cinematography and music create a hurricane of emotions to further augment the viewing experience.
It is a travesty that "The Place Beyond the Pines" has not gotten the attention it deserves. It's mandatory viewing for any film buff or life enthusiast. Because what this movie is is life on screen.
The movie is broken into three acts, each as compelling and unpredictable as the one before it. The film centers around three main characters, somehow, all connected to each other. It stars Ryan Gosling, Bradley Cooper and Dane DeHann as the leads. Ryan Gosling channels the brooding reticence of his unnamed badass from "Drive" and the cool swagger of Tyler Durden from "Fight Club." Bradley Cooper displays a lot of versatility as he plays a nervy rookie cop. Some other actors who shine here are Ben Mendelsohn, Mahershala Ali, Bruce Greenwood, and Ray Liotta (with his signature menacing intensity). The actors really own their roles and allow for the viewers to connect with the portrayal of their sympathetic characters. The only problem here is that the newcomer actors (Dane DeHaan and Emory Cohen) don't carry their act as effectively and emotionally as Ryan Gosling and Bradley Cooper did.
The story here is ambitious and succeeds in telling a new and refreshing tale that filmgoers have not seen or experienced on this level of deep sophistication in ages. The film transcends movie tropes and plots as it takes a realistic, gritty, and life-like spin on traditional storytelling. "Pines" is more than just a movie. It is an exploration and examination of the human experience, spirit, and conscience.
To match the film's sensational storytelling and acting is the phenomenal directing, cinematography, and music. Everything about the filmmaking craft helps enhance the emotional impact, and real life gravity of the film. It isn't just some action crowd pleaser or CGI-infested cash grab. Nor is it some black and white 'good guys vs bad guys' rehashed plot Hollywood has been spewing out for the last quarter-century. It's an emotional, heart- wrenching, and enriching drama in which you see every character as a human person capable of love, forgiveness, and sinful actions. It is a powerhouse of craftsmanship. Director Derek Cianfrance expertly weaves together a complex and emotionally draining epic that puts an emphasis on how one moment/decision can affect generations to come. He also concocts immersive third-person POV tracking shots which greatly add to the occasional thrills of the film. The cinematography and music create a hurricane of emotions to further augment the viewing experience.
It is a travesty that "The Place Beyond the Pines" has not gotten the attention it deserves. It's mandatory viewing for any film buff or life enthusiast. Because what this movie is is life on screen.
- littleging12
- 8 gen 2017
- Permalink
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- Celebre anche come
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- Luoghi delle riprese
- Aziende produttrici
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Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.403.519 USD
- Fine settimana di apertura Stati Uniti e Canada
- 279.457 USD
- 31 mar 2013
- Lordo in tutto il mondo
- 47.162.802 USD
- Tempo di esecuzione2 ore 20 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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