La vita a scuola di Nadine diventa ancora più insopportabile quando scopre che la sua migliore amica Krista si è messa insieme a suo fratello maggiore.La vita a scuola di Nadine diventa ancora più insopportabile quando scopre che la sua migliore amica Krista si è messa insieme a suo fratello maggiore.La vita a scuola di Nadine diventa ancora più insopportabile quando scopre che la sua migliore amica Krista si è messa insieme a suo fratello maggiore.
- Premi
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Trama
Lo sapevi?
- QuizWoody Harrelson improvised many of Mr. Brunner's quips and jokes, to the delight of writer and director Kelly Fremon Craig.
- BlooperWhen Nadine is having lunch in Mr. Bruner's room, she moves trays on his desk to prop her feet up. When she gets up to get her lunch to leave the room, the trays have returned to their original positions.
- Citazioni
Nadine: You know, ever since we were little, I would get this feeling like... Like I'm floating outside of my body, looking down at myself... And I hate what I see... How I'm acting, the way I sound. And I don't know how to change it. And I'm so scared... That the feeling is never gonna go away.
Recensione in evidenza
I can't say that I expected to see this movie opening weekend, or at all for that matter. But I'm glad I did. The Edge of Seventeen is an awkwardly charming coming of age tale that flirts in the same vein as some classic John Hughes 80's flicks.
I think all of us have been keeping an eye on Hailee Steinfeld since True Grit in 2010. When you can steal scenery from the likes of Jeff Bridges, Matt Damon, and Josh Brolin, you know you have someone special. The Edge of Seventeen is an entirely different genre and obstacle for Steinfeld, however. I almost think that the coming-of- age-teenage-angst-comedy-drama's are the most difficult films to reach a broad audience, perhaps even more so than westerns. I usually need something to hook me before I spend money on one of these, and that came by way of Woody Harrelson.
Harrelson play's Steinfeld's teacher and common companion at lunch when there's no one else to sit with. The brilliant thing about this relationship is that its neither too dramatic nor too goofy, the writers find a nice balance between gut busting laughs on Harrelson's end to a nice dramatic payoff in the latter half. For all the clichés that this film inevitably has, this relationship was something very refreshing and served as the highlights for most of the film.
Nadine (Steinfeld) has several issues with her mother, brother, and best friend to figure out throughout the course of the film. But it was pleasing to see that the writers didn't choose to make any one character in the right or wrong. I constantly felt like I was playing out both sides in my head as to who I believe had the right to be mad at the other or vice versa. Being in a family of 7, I can definitely relate to some of the family obstacles Nadine goes through, and it wasn't Hollywoodized just for the sake of pushing the plot forward. There's unfortunately quite a few clichéd tropes that this film ends up taking you toward, but it felt more natural than most of these types of films. This could be attributed to the welcomed R rating the film received.
It isn't for everyone, and I wouldn't even consider myself the target audience. But it speaks to larger personal and family issues than the trailer sets up. It's also one of the best Woody Harrelson performances I've seen recently, even if he is probably as reserved as he's ever been.
+Steinfeld carries this film
+With the help of the hilarious Harrelson
+Writing
-Inevitably some clichés and predictable plot points
8.0/10
I think all of us have been keeping an eye on Hailee Steinfeld since True Grit in 2010. When you can steal scenery from the likes of Jeff Bridges, Matt Damon, and Josh Brolin, you know you have someone special. The Edge of Seventeen is an entirely different genre and obstacle for Steinfeld, however. I almost think that the coming-of- age-teenage-angst-comedy-drama's are the most difficult films to reach a broad audience, perhaps even more so than westerns. I usually need something to hook me before I spend money on one of these, and that came by way of Woody Harrelson.
Harrelson play's Steinfeld's teacher and common companion at lunch when there's no one else to sit with. The brilliant thing about this relationship is that its neither too dramatic nor too goofy, the writers find a nice balance between gut busting laughs on Harrelson's end to a nice dramatic payoff in the latter half. For all the clichés that this film inevitably has, this relationship was something very refreshing and served as the highlights for most of the film.
Nadine (Steinfeld) has several issues with her mother, brother, and best friend to figure out throughout the course of the film. But it was pleasing to see that the writers didn't choose to make any one character in the right or wrong. I constantly felt like I was playing out both sides in my head as to who I believe had the right to be mad at the other or vice versa. Being in a family of 7, I can definitely relate to some of the family obstacles Nadine goes through, and it wasn't Hollywoodized just for the sake of pushing the plot forward. There's unfortunately quite a few clichéd tropes that this film ends up taking you toward, but it felt more natural than most of these types of films. This could be attributed to the welcomed R rating the film received.
It isn't for everyone, and I wouldn't even consider myself the target audience. But it speaks to larger personal and family issues than the trailer sets up. It's also one of the best Woody Harrelson performances I've seen recently, even if he is probably as reserved as he's ever been.
+Steinfeld carries this film
+With the help of the hilarious Harrelson
+Writing
-Inevitably some clichés and predictable plot points
8.0/10
- ThomasDrufke
- 17 nov 2016
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Mi vida a los diecisiete
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 9.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 14.431.633 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.754.215 USD
- 20 nov 2016
- Lordo in tutto il mondo
- 19.370.020 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the streaming release date of 17 anni (e come uscirne vivi) (2016) in Germany?
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