VALUTAZIONE IMDb
6,2/10
34.446
LA TUA VALUTAZIONE
La storia di un truffatore, sua moglie e uno sconosciuto che fuggono da Atene dopo che uno di loro è stato coinvolto nella morte di un detective privato.La storia di un truffatore, sua moglie e uno sconosciuto che fuggono da Atene dopo che uno di loro è stato coinvolto nella morte di un detective privato.La storia di un truffatore, sua moglie e uno sconosciuto che fuggono da Atene dopo che uno di loro è stato coinvolto nella morte di un detective privato.
- Premi
- 3 candidature totali
Babis Hatzidakis
- Stall Keeper
- (as Babis Chatzidakis)
Stella Fyrogeni
- Barmaid
- (as Stela Fyrogeni)
Trama
Lo sapevi?
- QuizViggo Mortensen on his character's wardrobe: "I particularly liked the white linen suit that you see in the poster that Chester wears, and in a way that's another character in the movie because the journey of that beautiful cream-colored linen suit, on the Acropolis in the sunshine in the beginning, this immaculate, perfect, fits perfectly, looks great. You see that suit at the very end of the story, and that suit's been through it, it's a bit torn, it's frayed, it's not as clean as it was, it's suffered almost as much as the man wearing the suit."
- BlooperIn the beginning Rydal recounts the legend of Aegeus on the steps of the Acropolis and says that it was there that Aegeus jumped to his death after his son, Theseus returned from Crete and forgot to change the black sails to white to denote his success. This is untrue; you would not be able to see the Aegean from the Acropolis, anyway. According to the legend Aegeus was waiting for the ships to arrive at Cape Sounion and when he saw the black sails he plunged into the sea (which is called the Aegean Sea after him). It is unlikely that a tour guide would not know how to recount the legend properly.
- Citazioni
Chester MacFarland: I'm sorry I disappointed you.
- Curiosità sui creditiAfter the production company logos, there are no opening credits.
- ConnessioniFeatured in Film '72: Episodio datato 5 marzo 2014 (2014)
Recensione in evidenza
I have to applaud Hosseini's directorial debut. "The Two Faces Of January" takes us mostly to the 1960's Greece, with three main characters in focus.
Beautifully shot, this visually stunning period-piece (if I can call it that) relies on story and characters rather than trying to impress with extravagant plot twists and special effects. The narrative is very well balanced and restrained from the hyperactive traps of modern cinematic storytelling.
Good acting from everyone involved and my compliments to the music composer too, for providing a very fitting soundtrack.
This is classic film making. Nothing innovative but very beautiful to look at, a fitting choice to watch on a lonely evening.
Beautifully shot, this visually stunning period-piece (if I can call it that) relies on story and characters rather than trying to impress with extravagant plot twists and special effects. The narrative is very well balanced and restrained from the hyperactive traps of modern cinematic storytelling.
Good acting from everyone involved and my compliments to the music composer too, for providing a very fitting soundtrack.
This is classic film making. Nothing innovative but very beautiful to look at, a fitting choice to watch on a lonely evening.
- spaceman88
- 28 set 2014
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- The Two Faces of January
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 31.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 507.463 USD
- Fine settimana di apertura Stati Uniti e Canada
- 43.116 USD
- 28 set 2014
- Lordo in tutto il mondo
- 13.551.951 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was I due volti di gennaio (2014) officially released in India in English?
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