Gangs of Lagos
Every year, Nollywood releases ambitious blockbuster movies but many of them fail to deliver and end up just being a stellar cast with poor plots and direction. Gangs of Lagos doesn't offer anything new, as its subject matter is one that has had several iterations, but the cinematography, acting and locations help it soar.
The biggest issue with Gangs of Lagos would be its plot, it starts off strong but by its second half it trickles and becomes threadbare. The three friends who form the main leads also don't have much chemistry, this isn't a fault of the actors though but of the little time we spend with them as a trio.
The fight scenes are done well and bear resemblance to how fights are staged in Isale Eko. The violence and gore portrayed is also convincing. The problem comes with how the scenes are shot; the moves aren't filmed fluidly and the sound effects aren't always in sync, the overreliance on slow motion is also irking (gives off vibes that they don't trust the audience can see what they're doing).
For all the flaws of Gangs of Lagos, casting isn't one of them. There's barely any form of lacklustreness, even from the amateur and new faces. Adesua Etomi Wellington finally gets a movie that stretches her from her comfort zone, and it's delightful seeing her as a devious tomboy. Chioma Akpotha delivers as a Nigerian mother with as much love as drama; her monologue in the church is one that audiences won't forget. Chike Osebuka as the part-time gangster part-time musician is endearing and believable, and Tobi Bakre also gives a performance worthy of his protagonist status. Other acts like Bimbo Ademoye, Zlatan, Pasuma, Iyabo Ojo, Tayo Faniran also gave impassioned performances.
Giving how the themes of corruption, ghetto life, political thuggery were portrayed, the performances of the cast, the cinematography and the locations, Gangs of Lagos is a step in the right direction for Nollywood.
6.5-7/10.
