Gli orsi non esistono

A masterfully crafted film that showcases the incredible talent of Iranian director Jafar Panahi. Despite facing constant harassment and a six-year prison sentence on baseless charges, Panahi continues to push the boundaries of cinema with his deeply personal and thought-provoking work.

In "No Bears," Panahi plays a fictionalized version of himself as he directs a film remotely from the Iranian village of Joban, near Turkey. When his WiFi goes out, he becomes intrigued by a local ceremony and loans one of his cameras to a villager to document it. The film then follows two parallel tracks: the story of Bakhtiar and Zara, which serves as a reconstruction of a real-life event, and the recording of the ceremony, which opens up a can of worms in the village as it is used as evidence against a young woman accused of having premarital relations.

Throughout the film, Panahi deftly explores themes of truth-telling, social activism, and the blurred lines between reality and fiction. The acting is superb, with Bakhtiar and Zara's tumultuous relationship feeling both realistic and emotionally charged. The cinematography and direction are also top-notch, with the film's remote setting adding to its sense of isolation and tension.

Overall, "No Bears" is a powerful and thought-provoking film that showcases the resilience and determination of its director. It is a must-see for fans of Panahi's work and anyone interested in the intersection of art and politics.