VALUTAZIONE IMDb
7,0/10
49.714
LA TUA VALUTAZIONE
Dall'alba al tramonto, qualche ora nella vita oscura di un mistico uomo di nome Monsieur Oscar.Dall'alba al tramonto, qualche ora nella vita oscura di un mistico uomo di nome Monsieur Oscar.Dall'alba al tramonto, qualche ora nella vita oscura di un mistico uomo di nome Monsieur Oscar.
- Regia
- Sceneggiatura
- Star
- Premi
- 29 vittorie e 71 candidature
Edith Scob
- Céline
- (as Édith Scob)
Trama
Lo sapevi?
- QuizLeos Carax offered the part of Mr. Oscar's love from the past to his own former girlfriend, Juliette Binoche. According to Carax, they finally "did not get along". He then rewrote the part, made it a singing character and cast Kylie Minogue instead.
- Curiosità sui crediti"Katya, for you" with a picture of Yekaterina Golubeva during the closing credits.
- ConnessioniFeatured in At the Movies: Cannes Film Festival 2012 (2012)
- Colonne sonoreWho Were We?
Lyrics by Leos Carax and Neil Hannon
Music by Neil Hannon
Orchestrated and arranged by Andrew Skeet
Performed by Kylie Minogue and Berlin Music Ensemble
Recensione in evidenza
The film is a parade of pseudo-intellectual claptrap, a mere montage of disjointed oddity; it has no direction, it just presents the viewer with one weird, meaningless image after another. I derive no positive emotion from a film that relies solely on ambiguous subtext, surrealism and symbolism.
I began to lose faith in the film by the 40 minute mark, each minute after that began to drag severely. There are scenes that are well acted and quite touching, but when they're thrown into this mess they're completely wasted. Some people have been flabbergasted by the suggestion that it's 'boring', I don't see what's so surprising about that, how can you be engaged by something that's so utterly meaningless?
Some people have praised its imagery, waffling on about how it 'celebrates the medium'. I agree it's striking and unconventional, but that's all it is; the best films achieve in both celebrating the medium of film and delivering strong, engaging narratives, whether they're simple or complex. Any idiot can throw together two hours of sheer meaningless oddity and claim it to be 'metaphorical' - it's weak filmmaking.
Even fans of the film have no idea what's going on, however many of them seem to relish mustering up their own vague, self-aggrandising interpretations of it. Although there are those who genuinely enjoy such ambiguity and have an honest approach to analysing the film, there are many that don't.
These are people who are likely to fiercely defend the film. Typically, they will label the film's critics ignoramuses who need their narratives to be 'spoon-fed' to them. I cringe to think about the scores of obnoxious pseuds who will attempt to revel in the utter poppycock that 'Holy Motors' serves by the shovel load.
I began to lose faith in the film by the 40 minute mark, each minute after that began to drag severely. There are scenes that are well acted and quite touching, but when they're thrown into this mess they're completely wasted. Some people have been flabbergasted by the suggestion that it's 'boring', I don't see what's so surprising about that, how can you be engaged by something that's so utterly meaningless?
Some people have praised its imagery, waffling on about how it 'celebrates the medium'. I agree it's striking and unconventional, but that's all it is; the best films achieve in both celebrating the medium of film and delivering strong, engaging narratives, whether they're simple or complex. Any idiot can throw together two hours of sheer meaningless oddity and claim it to be 'metaphorical' - it's weak filmmaking.
Even fans of the film have no idea what's going on, however many of them seem to relish mustering up their own vague, self-aggrandising interpretations of it. Although there are those who genuinely enjoy such ambiguity and have an honest approach to analysing the film, there are many that don't.
These are people who are likely to fiercely defend the film. Typically, they will label the film's critics ignoramuses who need their narratives to be 'spoon-fed' to them. I cringe to think about the scores of obnoxious pseuds who will attempt to revel in the utter poppycock that 'Holy Motors' serves by the shovel load.
- kinoreview
- 14 feb 2013
- Permalink
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- How long is Holy Motors?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Phân Thân
- Luoghi delle riprese
- Grand Magasin de la Samaritaine, 17-19 rue de la Monnaie, Paris 1, Parigi, Francia(deserted department store)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 641.100 USD
- Fine settimana di apertura Stati Uniti e Canada
- 18.866 USD
- 21 ott 2012
- Lordo in tutto il mondo
- 1.953.562 USD
- Tempo di esecuzione1 ora 55 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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