Abstract
The Family Fang is a certainly strange and intriguing film and not lacking in complexity and interest that reflects on the relationship between art and reality and the deep traces that the artistic narcissism of a father leaves on his children.
Review
During their childhood and adolescence, the Fang brothers participated in "interventions" or performances in public places devised and filmed by their parents. As adults, Annie and Baxter (Nicole Kidman and Jason Bateman), she an actress with an uncertain career and he, a blocked writer, meet them again and must face an unprecedented situation.
The Family Fang is a certainly strange and intriguing film and not lacking in complexity and interest. Two brothers marked by artistic narcissism and the manipulations of their father Caleb (a fearsome and relaxed Christopher Walken), the concessions of a surrendering mother (Maryann Plunkett) and a precocious and unconscious celebrity.
I'm talking about complexity because the ensemble that the director Jason Bateman also makes of the story in the present, flashbacks of the interventions in the past, videos of those interventions and the inclusion of false reports is effective and at times they bring the film closer to mockumentary and reality.
And I speak of interest because the film's explicit and implicit reflections on the relationships between art and reality are understandable, even if they are permeated by Caleb's debatable subjectivity.
Although the development of the story and some decisions or behaviors of the characters may seem forced or implausible, I believe that they must in part be understood based on the deep marks of family history and their artistic creed on the perception of reality and interaction with she.
Finally, it is worth highlighting the performances of the infallible Kidman, Bateman, Plunkett and the great Christopher Walken.
