Uno scrittore che si concede tutto ciò che Los Angeles e Las Vegas hanno da offrire si mette alla ricerca dell'amore e di sé stesso attraverso una serie di avventure con sei donne diverse.Uno scrittore che si concede tutto ciò che Los Angeles e Las Vegas hanno da offrire si mette alla ricerca dell'amore e di sé stesso attraverso una serie di avventure con sei donne diverse.Uno scrittore che si concede tutto ciò che Los Angeles e Las Vegas hanno da offrire si mette alla ricerca dell'amore e di sé stesso attraverso una serie di avventure con sei donne diverse.
- Premi
- 3 vittorie e 9 candidature
Trama
Lo sapevi?
- QuizAlthough there was a script reported to be between 400 and 600 pages long, all of the scenes were improvised.
- Curiosità sui crediti"For optimal sound reproduction, the producers of this film recommend that you play it loud." (In the opening credits.)
- ConnessioniFeatured in Hipertenzija (2017)
- Colonne sonoreThe Pilgrim's Progress
Composed by Ralph Vaughan Williams
Performed by John Gielgud (as Sir John Gielgud), City of London Sinfonia
Conducted by Matthew Best
Courtesy of Hyperion Records LTD, London
Recensione in evidenza
Let's get one thing straight; Terrence Malick's films aren't exactly everyone's cup of tea. They're arguably the most unconventionally crafted movies from a well renowned director out there. Audiences normally criticize him for being highly pretentious and having no meaning in his work. But for some, his films represent everything we love about the artistic medium of motion pictures. With his latest offering, "Knight of Cups", Christian Bale stars as a screenwriter eager to explore his seedy persona in the dreamlike whereabouts of LA.
The film swoons along with a plethora of illusory montages, with Bale being Malick's primary focus as he trudges through the streets of downtown L.A., bizarre nightclubs swarming with vibrant dancers, house parties exclusively for the rich and meditative walks through the desolate wastelands of the Las Vegas desert. For the majority of the film he cuts a forlorn figure, basically looking to find some sort of significance of his life and finding the answer to faith. And in typical Malick fashion, none of what we see on screen is straightforward and we're left to determine our own meaning on the gorgeously composed images. Cinematographer Emmanuel Lubezki once again has a vice like grip on how to bring an ethereal visual lyricism to surroundings.
Malick is one the very few directors who really embraces the beauty of artistic filmmaking. They may not follow a clear cut narrative, but there's no doubting that there's an alluring poetic rhythm that's present in his films. The key is for the viewer to figure out what Malick is attempting to portray. And even if you can't, just go along for the experience. Simply put, if you enjoy his films, you'll most likely find some sort of reward with this.
The film swoons along with a plethora of illusory montages, with Bale being Malick's primary focus as he trudges through the streets of downtown L.A., bizarre nightclubs swarming with vibrant dancers, house parties exclusively for the rich and meditative walks through the desolate wastelands of the Las Vegas desert. For the majority of the film he cuts a forlorn figure, basically looking to find some sort of significance of his life and finding the answer to faith. And in typical Malick fashion, none of what we see on screen is straightforward and we're left to determine our own meaning on the gorgeously composed images. Cinematographer Emmanuel Lubezki once again has a vice like grip on how to bring an ethereal visual lyricism to surroundings.
Malick is one the very few directors who really embraces the beauty of artistic filmmaking. They may not follow a clear cut narrative, but there's no doubting that there's an alluring poetic rhythm that's present in his films. The key is for the viewer to figure out what Malick is attempting to portray. And even if you can't, just go along for the experience. Simply put, if you enjoy his films, you'll most likely find some sort of reward with this.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Caballero de Copas
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 566.006 USD
- Fine settimana di apertura Stati Uniti e Canada
- 60.551 USD
- 6 mar 2016
- Lordo in tutto il mondo
- 1.026.288 USD
- Tempo di esecuzione1 ora 58 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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