Di fronte alla salute sbiadita del padre irascibile e alle calotte di ghiaccio che si sciolgono e inondano la sua sgangherata comunità bayou e scatenano antichi uri, Hushpuppy di sei anni de... Leggi tuttoDi fronte alla salute sbiadita del padre irascibile e alle calotte di ghiaccio che si sciolgono e inondano la sua sgangherata comunità bayou e scatenano antichi uri, Hushpuppy di sei anni deve imparare le vie del coraggio e dell'amore.Di fronte alla salute sbiadita del padre irascibile e alle calotte di ghiaccio che si sciolgono e inondano la sua sgangherata comunità bayou e scatenano antichi uri, Hushpuppy di sei anni deve imparare le vie del coraggio e dell'amore.
- Candidato a 4 Oscar
- 90 vittorie e 135 candidature totali
- Cabaret Singer
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizOn the film's very first day of shooting in the fictional "Bathtub" location outside of New Orleans, the BP oil rig explosion and the start of the massive spill occurred. For most of the shoot in nearby waters, Benh Zeitlin and his crew had to maneuver in and around the clean-up operations.
- BlooperDuring the height of the hurricane scene, Wink challenges the storm, with his rifle, as a means of comforting Hushpuppy and alleviating her fears. While he is outside in the hurricane winds and rain, only the trees in his immediate vicinity are violently moving. Trees in the background (perhaps beyond the reach of a wind fan) are perfectly still.
- Citazioni
[last lines]
Hushpuppy: When it all goes quiet behind my eyes, I see everything that made me lying around in invisible pieces. When I look too hard, it goes away. And when it all goes quiet, I see they are right here. I see that I'm a little piece in a big, big universe. And that makes things right. When I die, the scientists of the future, they're gonna find it all. They gonna know, once there was a Hushpuppy, and she live with her daddy in the Bathtub.
- ConnessioniFeatured in The Big Review: Summer Trailer Park Series (2012)
- Colonne sonoreValse De Balfa
Performed by The Lost Bayou Ramblers
Written by Will Balfa
Published by Flat Town Music Company (BMI)
I wonder whether some viewers are so addicted to the rhythm of plot driven movies to render them unable to appreciate a story like this, a story that sees the world through the eyes of a child who knows nothing of what we know. If you are one of those, go read somewhere else. I am not going to give you a synapse but my humble opinion on its meaning and possibly its intent. Or more surely, what I got out of it.
The beauty of this movie lies in Hushpuppy, a child young enough to be nonjudgmental, and her vision of life and its inhabitants. She has her own wisdom and is, like all children, taking things quite literally.
At first the hand-held camera-work and insufficient light-fill to illuminate the deep shades gave me the impression that this was a documentary style movie, a story reporting the lives of a group of people living off the grid in some southern state of the United States. But when I understood that the "Beasts" of the title was not a judgment of the movie's humans and their poverty, their ignorance, their unsophistication- but only an alternate noun for "animals" which the protagonists calls both her pets and humans alike, I started seeing the movie for what it really is: A dream, a fantasy, an imaginary story that merged with the contemporary awareness of global warming, and so a low tech sci-fi prediction of how the world may soon become.
With that key I read most character's actions: the father figure who needs to train his child to survive, inciting her "to show her guns" and be self assured; the woman who teaches children the use of herbs to cure, the meaning of magic and mythology; the tolerance of the other adults for what, in a parallel reality, would definitively been child abuse. All this is righteously done to prepare the children to survive in a world that was(is?) going from merely hard to impossible.
Wink's seemingly unsentimental and insensitive behavior towards the little wee child makes then perfect sense and thus his letting go when she can keep at bay, the Aurochs (a metaphor for her still childlike imagination) and her ability to step out of that world and into that of an adult ("I've got to take care of mine now") is the proof that she had grown up enough to survive on her own.
Looking back to it, this movie is a miracle as improbable as that of La Vita é Bella, where Benigni infused humor in a story about the Holocaust without becoming offensive or demeaning. Beasts of a Southern Wild is able to merge a child's world with that of an adult; to make us see how the effects of global warming will challenge the lives of many; it is a comment and a reminder of Katrina, its victims and consequences; finally it is a poetic way of describing the world and its inhabitants, escaping the ugliness and despair of certain realities by converting it into hope, survival and beauty.
- ignominia-1
- 8 gen 2013
- Permalink
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- Beasts of the Southern Wild
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Botteghino
- Budget
- 1.800.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 12.795.746 USD
- Fine settimana di apertura Stati Uniti e Canada
- 169.702 USD
- 1 lug 2012
- Lordo in tutto il mondo
- 21.107.746 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1