VALUTAZIONE IMDb
5,9/10
24.307
LA TUA VALUTAZIONE
Una donna chiede aiuto al suo ex amante per salvare il marito fuorilegge da una gang che vuole ucciderlo.Una donna chiede aiuto al suo ex amante per salvare il marito fuorilegge da una gang che vuole ucciderlo.Una donna chiede aiuto al suo ex amante per salvare il marito fuorilegge da una gang che vuole ucciderlo.
- Premi
- 1 candidatura
Kristin Hansen
- Woman #1
- (as Kristen Hansen)
Robb Janov
- Fiddler
- (as Rob Janov)
Trama
Lo sapevi?
- QuizAfter a long period of production issues since 2012, involving director and casting changes, principal photography began on March 21, 2013. Jane Got a Gun (2015) was released in Europe in November 2015, and in the U.S. on January 29, 2016. It was filmed on location in Santa Fe, New Mexico.
- BlooperAfter missing her target horribly while learning to shoot a pistol, Jane picks up a rifle to demonstrate that she can shoot that type of firearm well. Jane then proceeds to shoot the handle off of an ax. No settler out in the middle of nowhere would shoot the handle off of a much needed and precious implement such as an ax just to prove a point.
It's just a stick and it looks to be a replacement for the last stick/handle. The precious part of is the steel axehead.
- Citazioni
Cunny Charlie: Maybe ten... maybe a hundred
Dan Frost: [finishes him off with a point blank shot] Minus one
- Colonne sonoreWhen You and I Were Young, Maggie
Written by George W. Johnson and J.A. Butterfield
Arranged and Performed by Dave Bourne
Recensione in evidenza
Jane Got a Gun is directed by Gavin O'Connor and collectively written by Brian Duffield, Anthony Tambakis and Joel Edgerton. It stars Natalie Portman, Joel Edgerton, Ewan McGregor, Noah Emmerich, Boyd Holbrook and Rodrigo Santoro. Music is by Marcello De Francisci and Lisa Gerrard and cinematography is by Mandy Walker.
Jane Hammond (Portman) has to turn to her ex lover, Dan Frost (Edgerton), for help when it's revealed that the notorious Bishop gang are heading her way in search of her husband Bill (Emmerich).
It's going to be one of those films more talked about for what it could have been than what it is. Changes in production staff were unbound, from director, writer, photographer and some big name cast changes, it was a production blighted and destined to be on a loser. It hasn't helped that with it being a slow paced character based picture, and a Western at that, the market for a fan base was already running low on potential supporters. So what we left with?
It undoubtedly is one for hard core Western fans only, it's hard to envisage newcomers entering into the genre for the first time, perhaps lured by the casting of Portman, being won over to the point of seeking out other classic Westerns of past and present. Yet it's got a lot going for it, because if you have the want, then it may just take a second viewing to fully absorb and enjoy.
At its core it's a straight Oater of redemption, opportunities waylaid by fate, and of course a good old good versus bad axis. Relying on a flashback structure to set up the character dynamics, it can get a bit disorientating at times, hence the shout out for a second viewing. However, it may not be the perfect way to build the principal characters, but they are worth the investment for there's a big emotional pull there.
Having laid the foundation for the first two thirds of the pic, we shift to good old honest violence, for siege read backs against the wall, and not without invention, in fact there's much resourcefulness on show, with Jane at times very much leading the way. The last third pays off handsomely, even if there's the (arguably) inevitable sugar coated candy to swallow as part of the final deal. Cast are dandy and turning in perfs of note, though it needed more of McGregor's John Bishop, because with what little he gets he does make a villainous mark.
It looks terrific, Walker's photography bringing to mind the genre work of Roger Deakins, with the New Mexico locations blistering in their beauty, and while the sound mix for dialogue exchanges is a little poor, the musical score is thumping in its tonal appreciations. It's tricky to recommend with confidence even to Western fans, especially in a year when "Jane" had to compete with the more rambunctious Magificent Seven reboot, but give it a chance if you liked something like Slow West, and you may just be pleasantly surprised. 7/10
Jane Hammond (Portman) has to turn to her ex lover, Dan Frost (Edgerton), for help when it's revealed that the notorious Bishop gang are heading her way in search of her husband Bill (Emmerich).
It's going to be one of those films more talked about for what it could have been than what it is. Changes in production staff were unbound, from director, writer, photographer and some big name cast changes, it was a production blighted and destined to be on a loser. It hasn't helped that with it being a slow paced character based picture, and a Western at that, the market for a fan base was already running low on potential supporters. So what we left with?
It undoubtedly is one for hard core Western fans only, it's hard to envisage newcomers entering into the genre for the first time, perhaps lured by the casting of Portman, being won over to the point of seeking out other classic Westerns of past and present. Yet it's got a lot going for it, because if you have the want, then it may just take a second viewing to fully absorb and enjoy.
At its core it's a straight Oater of redemption, opportunities waylaid by fate, and of course a good old good versus bad axis. Relying on a flashback structure to set up the character dynamics, it can get a bit disorientating at times, hence the shout out for a second viewing. However, it may not be the perfect way to build the principal characters, but they are worth the investment for there's a big emotional pull there.
Having laid the foundation for the first two thirds of the pic, we shift to good old honest violence, for siege read backs against the wall, and not without invention, in fact there's much resourcefulness on show, with Jane at times very much leading the way. The last third pays off handsomely, even if there's the (arguably) inevitable sugar coated candy to swallow as part of the final deal. Cast are dandy and turning in perfs of note, though it needed more of McGregor's John Bishop, because with what little he gets he does make a villainous mark.
It looks terrific, Walker's photography bringing to mind the genre work of Roger Deakins, with the New Mexico locations blistering in their beauty, and while the sound mix for dialogue exchanges is a little poor, the musical score is thumping in its tonal appreciations. It's tricky to recommend with confidence even to Western fans, especially in a year when "Jane" had to compete with the more rambunctious Magificent Seven reboot, but give it a chance if you liked something like Slow West, and you may just be pleasantly surprised. 7/10
- hitchcockthelegend
- 18 gen 2017
- Permalink
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- Tay Súng Nữ Miền Tây
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- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.513.793 USD
- Fine settimana di apertura Stati Uniti e Canada
- 835.572 USD
- 31 gen 2016
- Lordo in tutto il mondo
- 3.067.531 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Jane Got a Gun (2015) officially released in India in Hindi?
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