I must admit, I'd never heard of the collapse of the German multi-billion-euro tech company Wirecard even though it occurred only a few years ago, but having previously watched the movie "The Big Short" and more recently the TV documentary on the Stateside collapse of Bernie Madoff's Ponzi scheme, I couldn't resist watching this new Netflix documentary on a financial scandal which finally came to light in latter-day Germany.
I will admit that I found it at times difficult to follow the money, indeed I'll admit to checking beforehand the dictionary definition of short-selling before I even commenced viewing, but I hung in there until the part when the company's house of cards came crashing down quicker than you can say "domino", largely due to the persistence of "Financial Times" journalist Dan McCrum to expose the massive black hole at the heart of the company's finances. Its CEO, Markus Braun currently awaits trial in Germany, while his right-hand man and COO Jan Marsalek, a shady, shadowy figure with connections to the Libyan secret service and more particularly to the Russian authorities - he kept a private address directly opposite the Russian Consulate in Munich - conveniently disappeared on a flight to Minsk, no doubt en-route to Moscow, just as the proverbial you-know-what was hitting the fan.
It was amazing to see just how far the deception went up the ladder, with the then German Chancellor Angela Merkel promoting the company's services to the Chinese on a top-level diplomatic visit there and at one stage Wirecard proposing a takeover of the venerable Deutsche Bank to cloak its own internal improprieties. The F. T. journalists and their source contacts, a good number of them professional short-traders, talk at times of being in genuine fear for their own safety, with some being physically intimidated by sinister heavies and others believing they were being tailed by other spies in Wirecard's pay.
This film employed a, for me, questionable filming style to tell this murky tale, involving fictional recreations, often in comic-strip fashion, of certain key encounters, large outsize fonts to highlight place-names and even utilise an over-sensationalist title, all detracting somewhat from my assimilation of what, at least to this layman, was a sometimes difficult-to-follow narrative, especially with so many contributers pitching in with their two pfennigs worth.
Nevertheless, like the requisite German financial authorities in their investigation, I got there in the end and was appreciative to learn that financial fraud on a massive scale isn't solely restricted to the English-speaking countries.
Greed, corruption and deception it seems don't respect national boundaries, if they ever did in the first place.
