Il sicario Jimmy Conlon ha una notte di tempo per decidere da che parte stare: al fianco del figlio Mike, la cui vita è in pericolo, o con il sue migliore amico, il boss Shawn Maguire, che v... Leggi tuttoIl sicario Jimmy Conlon ha una notte di tempo per decidere da che parte stare: al fianco del figlio Mike, la cui vita è in pericolo, o con il sue migliore amico, il boss Shawn Maguire, che vuole uccidere Mike per vendicarsi della morte di suo figlio.Il sicario Jimmy Conlon ha una notte di tempo per decidere da che parte stare: al fianco del figlio Mike, la cui vita è in pericolo, o con il sue migliore amico, il boss Shawn Maguire, che vuole uccidere Mike per vendicarsi della morte di suo figlio.
- Regia
- Sceneggiatura
- Star
- Victor Grezda
- (as Rasha Bukvic)
- Curtis 'Legs' Banks
- (as Aubrey Omari Joseph)
Trama
Lo sapevi?
- QuizListed among the cast when the film was in production, Nick Nolte had much of his material cut from the final release. As such, he is uncredited for his brief appearance.
- BlooperIf they are Albanian gangsters in the movie , they would not be speaking Serbian .
- Citazioni
Jimmy Conlon: I've done terrible things in my life. Things for which I can never be forgiven. I betrayed friends, turned my back on the ones closest to me. I've always known that my sins would eventually catch up to me. No sin goes unpunished in this life. Your life doesn't flash before your eyes when you are dying. That's bullshit. It's your regrets that haunt you in your final moments. Everything you've failed to be. Everyone you let down. Everything you'd go back and change, if only you had more time.
- Curiosità sui creditiThe end credits have three title cards: at the beginning of the initial credits, at the end of the initial credits, and at the very end. Most films only have one or maybe two title cards in the end credits.
- ConnessioniFeatured in Run All Night: Shoot All Night (2015)
- Colonne sonoreChristmas Auld Lang Syne
Written by Mann Curtis (as Curtis Mann) and Frank Military
Performed by Bobby Darin
Courtesy of The Bobby Darin Testamentary Trust
Brad Inglesby's script starts by giving us a glimpse of Neeson after the fateful events of the titular evening – that is, lying in a forest and bleeding from a shotgun wound – before rewinding sixteen hours before to fill us in. As we soon learn, Neeson's Jimmy Conlon wasn't in a much better state before his most recent run-in with mob boss and childhood friend Shawn Maguire (Ed Harris) that had led to his current predicament. An alcoholic mocked by the denizens at the local pub for farting in his sleep, the former Brooklyn hit-man was once Shawn's trusty right-hand man, but has now been reduced to playing Santa at the latter's son's birthday party for quick cash, which he spends drowning his guilt over the people he has killed and the family he has alienated through the years.
As bad luck would have it, Jimmy's estranged son, Mike (Joel Kinnaman), who only wants to take care of his pregnant wife and two young kids and to have nothing to do with his father, stumbles upon Danny executing two Albanian drug dealers. When Danny turns up at Mike's house, Jimmy intervenes to save his son and ends up killing Danny, setting in motion the subsequent series of events which will see father and son move through New York City while being pursued by Danny's men – including a professional assassin named Price (Common) who has his own grudge with Jimmy – as well as crooked cops looking to stay on Shawn's payroll.
Rather than just skip to the chase, Collet-Serra and his screenwriter Inglesby invest in a more character-driven narrative than may be expected. A pivotal scene has Jimmy confessing to Danny's murder shortly after Shawn returns from the morgue to identify his son's body, which poignantly expresses not just one father's grief (and consequent thirst for revenge) from the death of his son but also another father's paternal instinct to protect his family by whatever means possible. Whereas 'Taken' (pardon the pun) the latter for granted, Collet-Serra wisely lets the polarising dynamic between Jimmy and Shawn define the conflict that ensues, giving both characters and their longstanding friendship turned brutal rivalry both shading and nuance.
Lest it be forgotten, Neeson and Harris are both accomplished actors in their own right, and both manage to find their characters' empathetic core. Collet-Serra understands Neeson's 'particular set of skills' in playing the fallible hero, and gives his lead actor space and breadth to explore his character's vulnerabilities and motivations – even bringing in an unbilled Nick Nolte to add patriarchal weight to the proceedings. Kinnaman doesn't get enough quiet scenes with Neeson for their father-son relationship to develop into something truly compelling, but the actors share a good rapport that give the action scenes added emotional texture.
And in that department, Collet-Serra doesn't disappoint. Reining in the hand-held shots that made the last 'Taken 3' an absolute nightmare to watch even on the big screen, Collet-Serra fashions a couple of impressive sequences that make full use of its New York locale. A thrilling cop-car chase through the streets of Brooklyn easily puts 'Taken 3's' highway chase to shame, while a high-rise apartment complex on fire provides a tense backdrop against which Jimmy and Mike attempt to protect a kid witness. There is also the iconic Madison Square Garden, which provides the scene for a daring escape right after a Rangers-Devils game, and heightens the Big Apple atmosphere while keeping the gritty noir-ish feel of the earlier scenes.
It is certainly tempting to see this as yet another attempt to cash in on Neeson's newfound action hero status, but 'Run All Night' distinguishes itself with some well-filmed setpieces to satisfy the adrenaline-hungry crowd while staying grounded with enough characterisation and good acting for its audience to be rooted with the characters on screen. It is also his best collaboration yet with Collet-Serra, who seems genuinely interested at making a movie tailored to the actor's strengths than simply cashing in on a fad. Even and especially if you were disillusioned with 'Taken 3', 'Run All Night' is a good, solid slab of macho entertainment that should wash away the bitter taste of that over-the-hill franchise.
- moviexclusive
- 11 mar 2015
- Permalink
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Dettagli
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- Paese di origine
- Lingua
- Celebre anche come
- Run All Night
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 26.461.644 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.012.305 USD
- 15 mar 2015
- Lordo in tutto il mondo
- 71.661.644 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1