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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFusi, a 43 year old man, still lives with his mother. His daily life is characterized by monotonous routine. The appearance of vibrant Sjöfn and young neighbour Hera will upset his old bache... Leggi tuttoFusi, a 43 year old man, still lives with his mother. His daily life is characterized by monotonous routine. The appearance of vibrant Sjöfn and young neighbour Hera will upset his old bachelor habits.Fusi, a 43 year old man, still lives with his mother. His daily life is characterized by monotonous routine. The appearance of vibrant Sjöfn and young neighbour Hera will upset his old bachelor habits.
- Premi
- 10 vittorie e 16 candidature
Halldór Laxness Halldórsson
- Gústav
- (as Halldór Halldórsson)
Trama
Lo sapevi?
- QuizFranziska Una Dagsdóttir, who plays the role of Hera, is the daughter of the director Dagur Kári. According to Kári she had to audition for the part.
- ConnessioniFeatured in The Oath - Il giuramento (2016)
- Colonne sonoreIslands in the Stream
Performed by Kenny Rogers and Dolly Parton
Written by Maurice Gibb, Robin Gibb, Barry Gibb
Recensione in evidenza
It was fitting that on watching this film, I was almost alone in the cinema, because isolation and solitude are powerful themes throughout Fúsi. So when you're out by yourself, in the middle of the day, to watch an obscure Icelandic movie showing at an archaic cinema that now uses a projector rather suited for private use, than public screenings, it all kind of falls into place and reinforces the emotional investment in the whole experience.
Fúsi, a 43 year old man-child, but without the usual derogatory connotations of the term, is a tinkerer who lives with his mother, reenacts WW2 battles with his neighbour and works at a hapless job, where he is constantly bullied. Yet, what looks like a bleak and joyless existence, washes over Fúsi like a warm shower on a winter's day. His outlook on life is inhabited by a neutral positivity informed mostly through how naive and passive Fúsi seems most of the time. And all this is tested once he meets a woman who appears to take an interest in him, enabling him to be the nurturer he is at heart.
This story really hit a nerve, as I'm sure it has for many people who have ever felt alone, or love-stricken or stranded. It is a vicious portrayal of the world, which is only redeeming because Fúsi is the kind of character that takes it all in his stride. Otherwise, it gently treads the line of tragedy, but never crosses it. And surely, Fúsi is an idealized altruist with autistic tendencies, but he's still someone you can identify with, because you recognize the gestures, the emotions and the triggers within and around him.
However, the film does tend to be stereotypically simplistic in its bleakness. Whether it is the abuse Fúsi faces, his run in with the law, the relationship with his mother, these occasionally serve nothing more than to amplify traits in the character, respectively "the world", which are all too apparent to begin with. Not to mention that his romantic conception of what is acceptable really pushes the suspension of disbelief to places it should never be pushed. Yet, it is in the romance that the film manages to stay true to itself and believable, hyperbolic gestures aside. Because, hey, we've all been there and sometimes it does play out in your mind the way it all unfolds here. Or thereabouts.
So there it is, an Icelandic experience of philosophical proportions, that is quite certain to leave you ruminating at its conclusion. And empathizing, which is always a good muscle to engage.
Fúsi, a 43 year old man-child, but without the usual derogatory connotations of the term, is a tinkerer who lives with his mother, reenacts WW2 battles with his neighbour and works at a hapless job, where he is constantly bullied. Yet, what looks like a bleak and joyless existence, washes over Fúsi like a warm shower on a winter's day. His outlook on life is inhabited by a neutral positivity informed mostly through how naive and passive Fúsi seems most of the time. And all this is tested once he meets a woman who appears to take an interest in him, enabling him to be the nurturer he is at heart.
This story really hit a nerve, as I'm sure it has for many people who have ever felt alone, or love-stricken or stranded. It is a vicious portrayal of the world, which is only redeeming because Fúsi is the kind of character that takes it all in his stride. Otherwise, it gently treads the line of tragedy, but never crosses it. And surely, Fúsi is an idealized altruist with autistic tendencies, but he's still someone you can identify with, because you recognize the gestures, the emotions and the triggers within and around him.
However, the film does tend to be stereotypically simplistic in its bleakness. Whether it is the abuse Fúsi faces, his run in with the law, the relationship with his mother, these occasionally serve nothing more than to amplify traits in the character, respectively "the world", which are all too apparent to begin with. Not to mention that his romantic conception of what is acceptable really pushes the suspension of disbelief to places it should never be pushed. Yet, it is in the romance that the film manages to stay true to itself and believable, hyperbolic gestures aside. Because, hey, we've all been there and sometimes it does play out in your mind the way it all unfolds here. Or thereabouts.
So there it is, an Icelandic experience of philosophical proportions, that is quite certain to leave you ruminating at its conclusion. And empathizing, which is always a good muscle to engage.
- tributarystu
- 22 mar 2016
- Permalink
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- Lordo in tutto il mondo
- 749.711 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Proporzioni
- 2.35 : 1
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