VALUTAZIONE IMDb
7,4/10
61.714
LA TUA VALUTAZIONE
Ambientato nella Polonia degli anni '60, la giovane novizia Anna sta per prendere i voti quando scopre un oscuro segreto riguardante la sua famiglia che risale agli anni dell'occupazione ted... Leggi tuttoAmbientato nella Polonia degli anni '60, la giovane novizia Anna sta per prendere i voti quando scopre un oscuro segreto riguardante la sua famiglia che risale agli anni dell'occupazione tedesca.Ambientato nella Polonia degli anni '60, la giovane novizia Anna sta per prendere i voti quando scopre un oscuro segreto riguardante la sua famiglia che risale agli anni dell'occupazione tedesca.
- Vincitore di 1 Oscar
- 69 vittorie e 92 candidature totali
Natalia Lange
- Bronia
- (as Natalia Lagiewczyk)
Jan Wojciech Poradowski
- Father Andrew
- (as Jan Wociech Poradowski)
Trama
Lo sapevi?
- QuizPawel Pawlikowski had such difficulty finding an actress to play the titular character that he asked his friends to take secret photographs if they saw anyone who was in the right ballpark of the character. One of his friends, director Malgorzata Szumowska, saw Agata Trzebuchowska in a Warsaw café, took the picture and persuaded her to audition. She agreed to meet with Pawlikowski because she was a fan of his film My Summer of Love (2004).
- BlooperWhen Ida is in a church, the priest seems to be getting ready to say Mass and we see a versus populum altar, which didn't become the norm until years later after Vatican II. The movie takes place in 1961 and the priest would have been saying Mass on the high altar.
- ConnessioniFeatured in 72nd Golden Globe Awards (2015)
- Colonne sonoreSerduszko puka w rytmie cha-cha
Music by Romuald Zylinski
Lyrics by Janusz Odrowaz-Wisniewski
Performed by Maria Koterbska
Recensione in evidenza
While French artsy-critic magazine "telerama" gave it an ecstatic review, there is one thing I wasn't prepared for: the quality of the images. Set in an almost-but-not-quite faded black and white, of about completely square format, I was sure the movie, set and shot in Poland, was using some obscure last reels of some obscure special negatives, developed in a forgotten cold-war era lab... Well, according to the credits, that was all digital, from start to finish. All the haters of DDD processes out there (I'm one of them), we can now be assured the modern film-maker has today the ability to really work on grain, under-exposure, blurred shadows and all that; Wiene, Murneau, Dreyer, Eisenstein and Lang be damned.
I was stunned. This, and the quite audacious camera angles, the ever so close close-ups that only half a face remains visible. I even noticed what should be considered an error (walking in the forest, you only see the characters up from their ankles, missing their feet labouring trough the undergrowth)... And it just works because of the richness of the various tree trunk's winter greys.
Add to that the settings, the aesthetics of semi-derelict post-war communist décor, and the odd 'innocent girl meets nice boy' arch-cute scene, but that was to be expected from the start, even if it is just about perfect. The Hotel is... A graphic masterpiece in itself.
So yeah, the movie is worth it's weight on that alone already, and then there is Agata Kulesza, so absolutely right every part of her role as Aunt Wanda, so whole and complex inside a movie that doesn't otherwise spend lengths on character's backgrounds that she just draws you inside, whether you know her story, her past, her issues or not. A jaw-dropping performance.
This movie should not be called Ida, but Wanda.
I was stunned. This, and the quite audacious camera angles, the ever so close close-ups that only half a face remains visible. I even noticed what should be considered an error (walking in the forest, you only see the characters up from their ankles, missing their feet labouring trough the undergrowth)... And it just works because of the richness of the various tree trunk's winter greys.
Add to that the settings, the aesthetics of semi-derelict post-war communist décor, and the odd 'innocent girl meets nice boy' arch-cute scene, but that was to be expected from the start, even if it is just about perfect. The Hotel is... A graphic masterpiece in itself.
So yeah, the movie is worth it's weight on that alone already, and then there is Agata Kulesza, so absolutely right every part of her role as Aunt Wanda, so whole and complex inside a movie that doesn't otherwise spend lengths on character's backgrounds that she just draws you inside, whether you know her story, her past, her issues or not. A jaw-dropping performance.
This movie should not be called Ida, but Wanda.
- joaophilippe-mb-monteiro
- 18 apr 2014
- Permalink
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Dettagli
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.827.060 USD
- Fine settimana di apertura Stati Uniti e Canada
- 55.438 USD
- 4 mag 2014
- Lordo in tutto il mondo
- 11.156.836 USD
- Tempo di esecuzione1 ora 22 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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