Two misterious real events in Norway. a film about them. not for explain. not for present. only using the two disappearences as support for a poetic drama. the first challenge - the desire of viewer to discover the sense of story. it is present but it represents the work of each viewer. the second - to define this puzzle with chaotic pieces. the good point - August Diehl precise performance. looking as Beat. Edward Poppe, seeming be a sort of Franz Kafka character, he has the science to explore, in delicate and convincing manner, his character. a film who gives to you splendid images of locations. a cop case, at first sigh, becoming pretext for a trip across the fundamental crisis pillars of present. a film about solitude, fear and hope. about hate and angry and resignation. about isolation. and appearences. a film not for a large public and with high virtues to disappoint. because, it is just a poetic film. who seems be, in many scenes , a personal message to the right public.