For way too long have Korea, Thailand and Japan dominated the Asian market as far as ghost movies go. And it is really, really nice to see Hong Kong make a mark for itself in the ghost genre. Director Juno Mak has really managed to put together a really unique movie here.
Unlike other Asian ghost movies, then this is not a stereotypical ghost movie with a dead girl in a white dress and having her long, black hair covering her face. No, this is way beyond that. Sure it has that element as well, but it just takes it to the next step. And as if that isn't enough, then "Rigor Mortis" also throws in the element of the Chinese vampire mythology into the mix. Odd? Perhaps. Does it work? Oh yeah it does!
"Rigor Mortis" is a very visual and graphic movie, which is rather unlike most Asian ghost movies, and it is a much needed and most welcomed contribution to the genre.
However, a word of warning, "Rigor Mortis" is not just for everyone, especially not if you are set in the way of the traditional Asian ghost movies. But enter this movie with an open mind and leave yourself open to the impressions, but visual and subliminal.
The story in "Rigor Mortis" is about a troubled man who comes to an old and rundown building, where he rents room 2442 - a room with a dark and troubled past. Set out to take his own life and end his torment, it becomes clear that the entire building is a locale of haunts, gruesome tales, and dark magic.
Effects-wise, then "Rigor Mortis" is a visual treat, eye candy if you will. Why? Well, because the CGI effects were realistic and came off a believable, and really helped augment the story and the flow of the movie. And it was nice to see some Asian ghost aside from that stereotypical girl in white dress with her hair covering her entire face.
If you enjoy Asian horror movies, or perhaps ghost movies in particular, then you should without a doubt take a look at Juno Mak's movie, because it is rather amazing. Great entertainment, good story, nice effects and a great change of pace in this particular genre.
