Le silence des églises

a not comfortable theme. and great acting. a film who reminds one of the delicate problems of Catholic Church in a delicate, precise manner. the best, maybe, because not the case is the essence but the feelings, the transformation of a form of friendship in abuse, the grace of flash backs and the admirable performance of Robinson Stevenin. a film about solitude. and justice. and exorcism of the past. and the courage to give the truth. the manner to create his character of Robin Renucci is almost seductive. not the monster. only the victim of himself. image of not a character but portrait of a sinner who, seductive, charming, full of good intentions, popular and part of his social masks , front the rumors , accusations and proofs, defines a side of Church.a film who impress for its rare elegance. and for the right way to explore a delicate file of the Church.