The first ABCS OF DEATH was a fun little experiment in short-form horror storytelling. Now the producers have returned with another 26 teams of filmmakers for a second lesson in blood, guts, and often laughs. I was pretty keen on the first one despite its weaknesses so I was more than happy to settle in for another round. For the unfamiliar, THE ABCS OF DEATH assembles horror filmmakers from around the world, gives them a budget, and assigns a letter of the alphabet around which they create a short film. To be honest, I actually didn't like this one when I first watched it. I thought it relied too heavily on shock value to get reactions, but a second viewing helped me realize I was applying my disgust for one or two particular shorts against the film as a whole. That's not fair, as there is actually a lot of good stuff here.
THE GOOD: A, E, F, G, M, O, S, V, W, Y, and Z
As usual, I tended to love the crazier shorts the best. "Grandad" and "Masticate" were some of the funniest segments, but the honor for most insane goes to "Wish", where a couple of young boys are sucked into the world of an 80s era toy commercial (in the vein of He-Man) and realize it's not so fun anymore. The cheesy costumes and production design are perfect and the ending is equal parts funny and unsettling. "Amateur", "Equilibrium", and "Ochlocracy" get their share of laughs with "Equilibrium" earning some bonus points for creativity in camera blocking and choreography during an extended camera take. And then some of the filmmakers chose to go a more serious route. "Falling" is the simple tale of an Israeli paratrooper whose chute got caught in a tree and she's left at the mercy of a young Palestinian boy, injecting a bit of a social commentary. "Split" is one of the more brutal, as a man speaks with his wife over the phone during particularly punishing home invasion where we're reminded "hell hath no fury like a woman scorned".
THE "BAD":
That's not really fair. I wouldn't go so far as to call any of these bad, necessarily. The collection has its low points, as any anthology is bound to. Some of them just weren't as memorable. "Nexus", "Knell", and "Utopia" were all well done but I didn't think they were on par with a lot of the stronger material. Really, I'd have loved "Knell" if I understood what it was going for. The "commentary" track was none too helpful but added some extra uneasiness with it's bizarre
what was it? Chant? Poem? I don't know but it probably would've been better if it'd been used as the main audio track for the short. I still wouldn't know what was going on, but it added an extra feeling of unease to an already strange short. I should also mention "P-P-P-P-SCARY!" to this section but
as completely out of place as it felt
I don't hate it. It's
weird
and it's not scary, but it's unique. Kudos for that.
THE UGLY: D and X
"Deloused" is the most nauseating segment in the entire film. That's isn't necessarily a complaint. It's a surreal stop-motion segment with some of the most hideous puppetry I've seen. Keep in mind I don't mean to say the puppets or design were lame or amateur; I mean they were the stuff of nightmares. Its hellish imagery ensures that it stands out against the other segments and guarantees you won't forget it. Meanwhile, "Xylophone" is the one segment I'd love to forget. After a second viewing, I realized this was the segment that painted the movie in a bad light for me. I'm not a fan of child death in film for the sole purpose of shock value. "Split" and "Wish" also involve child death/murder but neither is anywhere as gratuitous. This might not bother others, and that's cool, but it made me ill and I could've done without it.
By the power of these 26 filmmakers combined, THE ABCS OF DEATH 2 is ultimately a stronger film than the first. There was a lot of really cool stuff here and it gives attention to aspiring horror filmmakers that have some awesome talent, and hopefully that attention leads to some bigger opportunities in the future. These movies provide a showcase for talent that might not get the coverage that the big studio films relish in, and I'm open for another round if the producers keep this franchise going.
