Un operaio cerca di nascondere le cose quando il suo figliastro viene ucciso in un incidente sospetto, ma un giornalista locale sente che qualcosa non va.Un operaio cerca di nascondere le cose quando il suo figliastro viene ucciso in un incidente sospetto, ma un giornalista locale sente che qualcosa non va.Un operaio cerca di nascondere le cose quando il suo figliastro viene ucciso in un incidente sospetto, ma un giornalista locale sente che qualcosa non va.
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Lo sapevi?
- QuizThis is the last completed movie of Philip Seymour Hoffman.
- BlooperTaking place in a Philadelphia blue collar neighborhood, the logo on the door of the police car is the actual one used in Philadelphia, as are the shoulder ID patches on the policeman's shirts, but the police car itself, as well as the breast, and hat badges, are obviously NOT of Philadelphia.
- Citazioni
Richard Shellburn: [writing] Until recently, you only had to die once in this city... even if you came from God's Pocket. There was a time when a 23-year-old working man could die once, have the event noticed in his local newspaper, and then move on to his reward without the complications of an additional death. Leon Hubbard's death was reported incorrectly by this newspaper last week. But, then, Leon Hubbard wasn't important.
Richard Shellburn: Leon Hubbard was like the other working people of God's Pocket: dirty-faced, uneducated, neat as a pin inside. They work, marry, and have children who inhabit the Pocket, often in the homes of their mothers and fathers. They drink at The Hollywood, or the Uptown Bar, little places deep in the city. And they argue there about things they don't understand... politics, race, religion. And in the end, they die like everyone else; leaving their families and their houses and their legends. And there is a dignity in that. We owe Leon Hubbard an apology, and all the people who knew him and loved him and worked with him. If we stop listening to Leon Hubbard's story and all the neighborhood stories like it, eventually the neighborhoods will stop listening to ours.
- ConnessioniReferences Taxi Driver (1976)
- Colonne sonoreAll Because of You
Written by Thomas Fletcher
Performed by Tee Fletcher
Courtesy of The Numero Group
By Arrangement with Bank Robber Music
What is obvious is the affection for the source material. The film differs little from Pete Dexter's book, and is better for it. The sometimes lethargic pace is livened by some genuine surprises, and there is always that all important sense of atmosphere.
If there was ever an actor who knew not how to overact, it was Philip Seymour Hoffman. In his penultimate appearance, he and Christina Hendricks both deliver an underplayed performance as the central couple, allowing the rest of the ensemble the more colourful scenes.
It is not without it's faults. The story is told over a period of three days, and it is perhaps for that reason that it sometimes feels episodic. The whole film plays like one of Slattery's self- directed episodes of Mad Men. The ending does not escape the clichés typical of its genre. Nevertheless, it is an entertaining watch, a promising debut, and another sad reminder of why Philip Seymour Hoffman will be missed.
- chrisgp-889-15634
- 17 ago 2014
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Tanrının Unuttuğu Yer
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 169.976 USD
- Fine settimana di apertura Stati Uniti e Canada
- 21.482 USD
- 11 mag 2014
- Lordo in tutto il mondo
- 413.567 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1