L'astronauta Roy McBride arriva ai margini esterni del sistema solare per trovare il padre scomparso e risolvere un mistero che minaccia la sopravvivenza del nostro pianeta.L'astronauta Roy McBride arriva ai margini esterni del sistema solare per trovare il padre scomparso e risolvere un mistero che minaccia la sopravvivenza del nostro pianeta.L'astronauta Roy McBride arriva ai margini esterni del sistema solare per trovare il padre scomparso e risolvere un mistero che minaccia la sopravvivenza del nostro pianeta.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 13 vittorie e 76 candidature totali
- Sal
- (as Daniel S. Sauli)
Trama
Lo sapevi?
- QuizUnlike several contemporary films where CGI is used to depict the spacecraft and the vast space, director James Gray decided to use practical effects like models and props for the spacecraft exterior shots. Also, instead of using CGI for planets, he decided to use still images to portray the surface of the planets. This same technique was used in 2001: Odissea nello spazio (1968).
- BlooperThe distance from Tycho crater (where Roy lands on the Moon) to the center of Farside (where the "Cepheus" is located) is roughly 1,700 miles. Traveling at the speed shown and assuming no stops, Roy's lunar rover would take a couple of days to get there.
- Citazioni
Roy McBride: [Last lines] I'm steady, calm. I slept well, no bad dreams. I am active and engaged. I'm aware of my surroundings and those in my immediate sphere. I'm attentive. I am focused on the essentials, to the exclusion of all else. I'm unsure of the future but I'm not concerned. I will rely on those closest to me, and I will share their burdens, as they share mine. I will live and love.
- Curiosità sui creditiThere is no fanfare during the 20th Century Fox logo.
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: Ad Astra (2019)
This is a cinematic masterpiece in directing, sound and cinematography. It resembles 2001: A Space Odyssey in a few ways, mainly the lighting, and the colours of some scenes, a few angles too.
It always follows the main character's perspective, so the voiceover kind of makes sense, it's always the things that he thinks, or the stuff that's in his mind.
The music compliments the events of the story very well, the sounds were pretty realistic and jaw-dropping, and almost every frame is just beautiful.
The acting is mostly good. There weren't a lot of people in the film, but Brad Pitt and Tommy-Lee Jones are knocking it out of the park.
I only have a few little issues with the movie.
There was a scene with a CGI monkey, (you all know what I am talking about), which just came out of nowhere. It was really odd, and out of place. Also, the CG on it was the weakest in all of the movie.
My second issue was with the scene on the moon, with other vehicles. It was foreshadowed, but it really didn't need to be there, and while it was made very well and effectively, the events themselves are too unrealistic because of how convenient some things are.
Also, there are sequences where milimeters could matter, lives could be at stake if someone makes a mistake, and sometimes they are lucky enough to conveiniently survive.
But overall, this is something I'd like to see again. It shows how much ambition Sci-fi has, but it also shows what could go wrong with it.
- DrunkenDeGroot
- 22 set 2019
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ad Astra. Hacia las estrellas
- Luoghi delle riprese
- Dumont Dunes, California, Stati Uniti(Mars scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 90.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 50.188.370 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.001.398 USD
- 22 set 2019
- Lordo in tutto il mondo
- 127.461.872 USD
- Tempo di esecuzione2 ore 3 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1