VALUTAZIONE IMDb
6,4/10
166.026
LA TUA VALUTAZIONE
Tre gruppi di persone si intrecciano e vengono lasciati in strada durante la notte dello Sfogo. Dovranno cercare di sopravvivere al caos e alla violenza che hanno luogo.Tre gruppi di persone si intrecciano e vengono lasciati in strada durante la notte dello Sfogo. Dovranno cercare di sopravvivere al caos e alla violenza che hanno luogo.Tre gruppi di persone si intrecciano e vengono lasciati in strada durante la notte dello Sfogo. Dovranno cercare di sopravvivere al caos e alla violenza che hanno luogo.
- Premi
- 3 vittorie e 6 candidature
Noel Gugliemi
- Diego
- (as Noel G.)
Michael Kenneth Williams
- Carmelo
- (as Michael K. Williams)
LaKeith Stanfield
- Young Ghoul Face
- (as Keith Stanfield)
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Productions has been a major force in the horror genre since 2007's Paranormal Activity became a worldwide sensation. See how IMDb users rank all of Blumhouse's horror movies since 2007.
Trama
Lo sapevi?
- QuizIn an interview Frank Grillo said that he loved the black car so much he offered to buy it but he wasn't allowed.
- Blooper(at around 12 mins) When Leo's ex wife comes to visit him before The Purge begins, she looks over at a selection of newspaper articles and photos of his target stuck to the wall. After she leaves, he also looks over at the wall, but the layout of the montage has changed dramatically, including completely different photos.
- Citazioni
Carmelo Johns: Fuck the New Founding Fathers!
[fires gun upwards]
Carmelo Johns: Fuck You! Fuck your money! And motherfuck the Purge!
- ConnessioniFeatured in Chelsea Lately: Episodio #8.111 (2014)
- Colonne sonoreRack 'Em Up
Written by Matthew R. Corbett (as Matthew Corbett) and Mike Wilkie
Courtesy of Sound Ideas
Recensione in evidenza
In The Purge Anarchy the new founding fathers sanction another murderous cleanse.
The Purge Anarchy revisits the gruesome dystopia in the not so distant future where for twelve hours all sanctioned crime is legal and all rescue services are suspended. The nation is reborn, unemployment and crime are at record lows, all because of the annual night for decriminalized murder to unleash pent up American rage.
Five virtual strangers join together to survive when, after several unrelated but harrowing events, all find themselves on the street and in jeopardy on purge night. There is no security system, minimal defense and there is little hope.
Despite being marketed as a horror film The Purge Anarchy feels more like a thriller. The potential for a despicable act of inhumanity is imminent and occurs frequently throughout the film. Yet, its display is the antithesis of a masturbatory gore fest relishing in the suffering, evocative of torture-porn. Instead, the brutality is appropriately out of focus in the background, almost as an afterthought, consistent with the desensitized society.
The approach of James DeMonaco's direction is on point with the message of the film. He creates a disconcerting feeling with a deserted cityscape, seemingly lit at night by flickering yellow streetlights casting shrouded shadows. Certain scenes are realistically and deliberately shaky and imperfect to draw the audience into the character's peril.
One can not talk about a second installment to a franchise without returning to its predecessor, in this case The Purge. Acclaimed as a novel premise and potentially unsettling look into the primal aspect of human nature, it left something to be desired. The story had so many places it could go that were raw and savage; yet, The Purge was slightly simplistic and flawed but still enjoyable. Once again James DeMonaco took the helm as writer and director of The Purge's sequel Anarchy. This time DeMonaco's execution was able to address criticisms by delving further into concept, but from a different perspective: the working class. In doing so we see a harsher existence, far less idealistic and a more depraved purge night.
The difference between The Purge and The Purge Anarchy is that the active tormenters for this purge are not all unhinged closeted maniacs hiding behind masks. Anarchy takes the end of The Purge and goes more in-depth. Those participating are frustrated and exhausted but ultimately they are people. Most terrifyingly it proposes a hypothetical and disturbingly feasible purge experience for the upper class. The nefarious top 10% obligingly exercise their civic responsibility and now government granted right in style and comfort. The Purge Anarchy is a commentary on society and social inequality in the most gruesome of circumstances.
The film's ability to play into our inner fears, that deep within anyone there is a darkness capable of unspeakable evil, is pivotal to its success. While I wish The Purge Anarchy hadn't tried to tidy the story up and resolve everything I did find it far more realistic and thought provoking than the former.
More reviews of recent releases can be found at our website.
The Purge Anarchy revisits the gruesome dystopia in the not so distant future where for twelve hours all sanctioned crime is legal and all rescue services are suspended. The nation is reborn, unemployment and crime are at record lows, all because of the annual night for decriminalized murder to unleash pent up American rage.
Five virtual strangers join together to survive when, after several unrelated but harrowing events, all find themselves on the street and in jeopardy on purge night. There is no security system, minimal defense and there is little hope.
Despite being marketed as a horror film The Purge Anarchy feels more like a thriller. The potential for a despicable act of inhumanity is imminent and occurs frequently throughout the film. Yet, its display is the antithesis of a masturbatory gore fest relishing in the suffering, evocative of torture-porn. Instead, the brutality is appropriately out of focus in the background, almost as an afterthought, consistent with the desensitized society.
The approach of James DeMonaco's direction is on point with the message of the film. He creates a disconcerting feeling with a deserted cityscape, seemingly lit at night by flickering yellow streetlights casting shrouded shadows. Certain scenes are realistically and deliberately shaky and imperfect to draw the audience into the character's peril.
One can not talk about a second installment to a franchise without returning to its predecessor, in this case The Purge. Acclaimed as a novel premise and potentially unsettling look into the primal aspect of human nature, it left something to be desired. The story had so many places it could go that were raw and savage; yet, The Purge was slightly simplistic and flawed but still enjoyable. Once again James DeMonaco took the helm as writer and director of The Purge's sequel Anarchy. This time DeMonaco's execution was able to address criticisms by delving further into concept, but from a different perspective: the working class. In doing so we see a harsher existence, far less idealistic and a more depraved purge night.
The difference between The Purge and The Purge Anarchy is that the active tormenters for this purge are not all unhinged closeted maniacs hiding behind masks. Anarchy takes the end of The Purge and goes more in-depth. Those participating are frustrated and exhausted but ultimately they are people. Most terrifyingly it proposes a hypothetical and disturbingly feasible purge experience for the upper class. The nefarious top 10% obligingly exercise their civic responsibility and now government granted right in style and comfort. The Purge Anarchy is a commentary on society and social inequality in the most gruesome of circumstances.
The film's ability to play into our inner fears, that deep within anyone there is a darkness capable of unspeakable evil, is pivotal to its success. While I wish The Purge Anarchy hadn't tried to tidy the story up and resolve everything I did find it far more realistic and thought provoking than the former.
More reviews of recent releases can be found at our website.
- ArchonCinemaReviews
- 4 set 2014
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- 12 horas para sobrevivir
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 9.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 71.962.800 USD
- Fine settimana di apertura Stati Uniti e Canada
- 29.816.675 USD
- 20 lug 2014
- Lordo in tutto il mondo
- 111.928.365 USD
- Tempo di esecuzione1 ora 43 minuti
- Mix di suoni
- Proporzioni
- 2.39 : 1
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