The Assassin

Hou Hsiao-Hsien is one of those directors the mere mention of whose name sends filmsnobs into paroxysms of pleasure. 'The Assassin' is the first of his films that I myself have seen, and I've got to say I have mixed feelings.

I was attracted to the film by the set designs featured in the trailer, and these are fantastic: lush, richly-detailed, lavish reproductions of nobles' palaces and peasants' hovels. The costumes are similarly splendid. The natural scenery is spectacular also, with Hou taking full advantage of the endless steep wooded hillsides of his Far Eastern filming locations.

But oh, the pace of the film is slow. Far too often, Hou allows his camera to linger, unmoving, on a particular subject that is doing nothing - certainly not adding anything to the story. This may be because of the sparse nature of the plot - a young woman in ninth century China, raised from childhood to be an assassin, is sent back to her native Weibo to assassinate her cousin, the region's governor. Once there she gets caught up in some palace intrigue, but it's all sketched out very lightly and, to be honest, for some of the time I was having trouble staying awake.

But those sets *are* gorgeous...