Durak is a gem of a movie. It showcases a rare combination of suspense and philosophical questioning, rendering it a very entertaining film that leaves you thinking about it way past the end credits.
The characters in Durak are well developed, even those that do not get a lot of screen time. We get to know them, see how they live, understand their priorities and their motives. Deeper than that though, where the movie really excels is in exposing the nature and mighty power of the highly entangled system of corruption and how each individual character is both its co-creator and its puppet.
In a city with a corrupt council, a 9-floor high building block is about to collapse. It needs to be urgently evacuated. The corrupt city officials face the prospect of criminal proceedings against them if hundreds of tenants die under the rubles. Will they be able to rise above the profitable network of kickbacks and favors that they have been milking for a long time? Or have they been diving too deep into the sweet scum of corruption to get into the surface on time to actually do something useful for their poor citizens?
What about the poor citizens themselves? Living for decades in a dilapidated building under miserable circumstances, one would guess that change is what they desperately need. But 30 years is a long time. It is time enough for people to get used to the situation, to get to know to hate it, but also to cling to it at the same time as the only tangible piece of reality that still belongs to them. Reality in the form of a derelict pile of bricks that nevertheless stands as a barrier between their life on the one hand and death lurking in the snowy streets on the other. A pile of bricks where corruption also thrives, with a thread made of vodka and violence menacing the residents but also structuring the network of reality around them. Will they be willing to forgo everything and start anew or are they also too entangled to a mighty system of their own, unable to leave it behind even in the prospect of imminent death?
The force that poses these questions and stirs things up is the protagonist, Durak. He sees reality as it is and is determined to do something about it. He has no other choice, letting things be and following the song of the Sirenes of corruption is just not like him. He is the Socratean fly that sends ripples through the system, that forces the system to face its own stink and atrocity. What does that make him? The Hero or the Fool?
Do not be mistaken and take a comfortable distance from this movie, classifying it as an interesting depiction of corruption in Russia. This is not about Russia, this movie is about you. In whatever place you might live, it's you that is also noticing the web of corruption around you and the injustice, the desperation and the misery that it causes. It's you that decides to silently take part in it, in little or greater measure, or at least let it be and try to make a living somehow. It's you that keeps thinking from time to time that someone needs to do something about it all, that you need to take action to help people, to help yourself. But what would that make you? The Hero or Durak, the Fool?
