Film ambientato tra gli orrori di Auschwitz del 1944 in cui un prigioniero, costretto a bruciare i cadaveri della sua stessa gente, trova un motivo per sopravvivere cercando di salvare dalle... Leggi tuttoFilm ambientato tra gli orrori di Auschwitz del 1944 in cui un prigioniero, costretto a bruciare i cadaveri della sua stessa gente, trova un motivo per sopravvivere cercando di salvare dalle fiamme il corpo di un ragazzo che crede sia suo figlio.Film ambientato tra gli orrori di Auschwitz del 1944 in cui un prigioniero, costretto a bruciare i cadaveri della sua stessa gente, trova un motivo per sopravvivere cercando di salvare dalle fiamme il corpo di un ragazzo che crede sia suo figlio.
- Vincitore di 1 Oscar
- 65 vittorie e 61 candidature totali
Trama
Lo sapevi?
- QuizDuring the preparation, director László Nemes, cinematographer Mátyás Erdély and production designer László Rajk made a pledge to stick to certain rules, or a "dogma", which included:
- The film cannot look beautiful.
- The film cannot look appealing.
- We cannot make a horror film.
- Staying with Saul means not going beyond his own field of vision, hearing, or presence.
- The camera is his companion, it stays with him throughout this hell.
- BlooperThe short text at the beginning says, that the members of the 'Sonderkommando' were killed after 3 months, but this is a simplification of the more complicated history. While it's correct that these men were supposed to be killed and replaced after a few months, in some cases they were killed much earlier and in other rare cases they could survive for over 2 years, like Filip Müller. This depended mostly on the skills of the individual 'Sonderkommando' slave worker, who was sometimes needed by the SS to train the new 'Sonderkommando' members, but also on pure coincidence and luck.
- Citazioni
Abraham Warszawski: You failed the living for the dead.
Saul Ausländer: We are dead already.
- ConnessioniFeatured in 73rd Golden Globe Awards (2016)
- Colonne sonoreDream Faces
Written by William Marshall Hutchison
Performed by Elizabeth Spencer
By now, many of you have read about the unique style and focus of the film. Shot in 35mm, each shot does not fill the screen. There is only one focal point throughout the film, which means people and objects that are close to the camera are in focus, and everything in the background remains out of focus (except for a few shots where we do not center on Saul). This unique and somewhat unprofessional style is an absolute benefit to the overall story that unfolds before the audience. I was sometimes glad that you couldn't see some of the horrors that were happening all around the main character, but you can tell very plainly what's happening.
The story is actually a short one, it takes place in only about a day and a half, but the content of this story is what makes it stand out so brilliantly. Most films about the genocide of the Jewish race during the holocaust have a very broad perspective, showing multiple events to various people who were living through one of the worst horrors man has ever inflicted upon man. Usually these films, like "Schindler's List" focus on some savior and the survivors of such events, or even worse movies like "Heart's War" which fictionalizes a history that is almost insulting to watch. Son of Saul is a much more personal and heart-wrenching story of one prisoner who works under a Sonderkommando labour groups within the walls of Auschwitz Birkenau. There is a definition of such groups at the beginning of the film, and it tells very plainly what their duties were, under threat of death.
It is very difficult, or rather naught and impossible, to comprehend the level of horror prisoners had to live through during the extermination of their own race, but that is where this film is most successful. It achieved something that I very rarely experience during a film. This is when I cease to remember that I am at the cinema watching a movie unfold before me, and for quite some time, believe that I am right there, bearing witness to these events. That is the true goal of cinema I believe. To have the viewer in complete empathy with what is happening to the characters as the movie progresses. And I was completely and utterly entranced.
This film is not for the faint of heart. It is horrifying and unbearable at times, but is absolutely unique and utterly phenomenal to watch. A fantastic first for both director László Nemes and lead Géza Röhrig.
9/10
- kdavies-69347
- 28 feb 2016
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- Son of Saul
- Luoghi delle riprese
- Mafilm, Budapest, Ungheria(Studio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.500.000 € (previsto)
- Lordo Stati Uniti e Canada
- 1.777.043 USD
- Fine settimana di apertura Stati Uniti e Canada
- 37.930 USD
- 20 dic 2015
- Lordo in tutto il mondo
- 6.659.121 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1