Un padre e sua figlia tredicenne vivono un'esistenza ideale in un vasto parco urbano a Portland nell'Oregon, quando un piccolo errore fa deragliare le loro vite per sempre.Un padre e sua figlia tredicenne vivono un'esistenza ideale in un vasto parco urbano a Portland nell'Oregon, quando un piccolo errore fa deragliare le loro vite per sempre.Un padre e sua figlia tredicenne vivono un'esistenza ideale in un vasto parco urbano a Portland nell'Oregon, quando un piccolo errore fa deragliare le loro vite per sempre.
- Premi
- 18 vittorie e 92 candidature
Thomasin McKenzie
- Tom
- (as Thomasin Harcourt McKenzie)
Jeffery Rifflard
- Vet at VA
- (as Jeff Rifflard)
Derek John Drescher
- Larry
- (as Derek Drescher)
Alyssa McKay
- Valerie
- (as Alyssa Lynn)
Ryan Joiner
- Tiffany
- (as Ryan E. Joiner)
Michael J. Prosser
- James
- (as Mike Prosser)
Trama
Lo sapevi?
- QuizThe newspaper clipping that Tom finds in her father's "important papers" bag was not created as a prop for this movie; it was a real news article titled "A Unit Stalked by Suicide, Trying to Save Itself" by Dave Phillips, which was one of the above-the-fold front-page articles in the New York Times on Sunday, September 20, 2015. The article was about a single Marine unit (the Second Battalion, Seventh Marine Regiment, aka the 2/7) that after returning from deployment in Afghanistan experienced a very high rate of suicide among its veterans. It is never explained in the movie whether the glimpse of this article is meant to imply that Will actually was a member of the 2/7, or if he just kept the article because it related to his PTSD and related medical situation.
- BlooperIn the scene when Tom leaves the cabin to search for her father, a crew member can be seen moving behind the tree to her left just before the scene ends.
- ConnessioniFeatured in WatchMojo: Top 10 Movies You Missed This Summer (2018)
- Colonne sonoreKilling Time
Written by Eric Wikman (as Eric Corser Wikman) & Joseph Michael McGregor
Courtesy of FirstCom
Recensione in evidenza
'Leave No Trace (2018)' is, remarkably, never predictable or on-the-nose. Instead, it soon settles into its own slow rhythm to provide an experience that's refreshing in its ability to show instead of tell. Often, it refrains from saying anything at all, especially during the moments in which it actually speaks volumes. This is a technique - or, rather, way of thinking - it uses to cut to the heart of its scenes and provide some incredibly raw emotional beats. Even in its 'loudest' of moments, it feels marvellously gentle and is brought to life with a steady, self-assured hand. The film is extremely engaging and has an astute ability to render its core relationship with a wonderfully tender realism, examining its father and daughter duo - as well as the former's traumatic background and scarred mental-state - brilliantly and not always blatantly. This, again, plays into its pretty much perfect 'show, don't tell' mentality and allows you to piece together what's going on behind our core players' eyes. It allows for an empathetic and emotive picture that impacts you in essentially every sequence, especially those towards its devastating yet somewhat inevitable end. Overall, the movie is actually highly enjoyable, and affecting, because of this emotional impact. 8/10
- Pjtaylor-96-138044
- 29 giu 2018
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Leave No Trace
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 6.046.104 USD
- Fine settimana di apertura Stati Uniti e Canada
- 219.140 USD
- 1 lug 2018
- Lordo in tutto il mondo
- 7.682.928 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Proporzioni
- 1.85 : 1
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