no en letterboxd

Film about the life of Juan Duarte, Eva Perón's brother and a political officer in Juan Domingo Perón's first presidency.

The life of a young artist, from childhood until reaching fame.

A young writer struggling to create a good story meets a cute waitress and imagination and fantasy blossom.

A close look at anti-American sentiments in Cuba and Latin America.

In just eleven month were killed two youth of the Peasant Movement of Santiago del Estero VC. The same motivation, the same method: land-hungry businessmen convince a few people, turn them into killers, and they throw against communities that resist against complicity passivity of the developmental state. No errors, no excesses. The markes of a productive matrix that annihilates.

Dino Saluzzi is one of the world's most famous bandoneon soloists and composers, a master of delicate tones whose repertoire spans the entire musical palette from folk music through tango to jazz. He comes from the deep country of northern Argentina, and has always stressed his roots in a music-loving farming family. This is the starting point of Daniel Rosenfeld's unusual debut film, which he calls Essay on the Bandoneon and Three Brothers. He begins by showing Saluzzi on tour in Europe, recording the venues at which he performs: Venice, Bellinzona, Paris and Zurich. This is complemented by musings on the art of composition, Saluzzi's beginnings, background and yearning to compose. The mainly black-and-white footage is interspersed by a few colour pictures, portents of the second part of the film in which the director accompanies his star to his home town of Camposanto, an isolated settlement in Salta province, where Saluzzi was born in 1935. The landscape of his youth is shown entirely in colour. It is the starting-point of the description of the social and cultural roots and family background that spawned Saluzzi's creativity. The highlight of the film is the performance of a piece he composed during his European tour and which he plays in his birthplace together with his three brothers.

The Second Life offers a fascinating glimpse of the reality of Karajan's work in the recording studio, painting a nuanced portrait of the conductor and his musical ideas. This film includes interviews and a wealth of archival footages never shown before, depicting Karajan during rehearsals and recording sessions, including works that have not been shown under his baton previously on film or TV.