DISCOVER--the best of the Tweety and Sylvester cartoons
Rather like Stan and Ollie of Laurel and Hardy fame, who appeared solo to little avail until finding each other, Tweety and Sylvester both appeared in individual solo cartoons (three each) before being teamed for the first time in 1947's "Tweetie Pie", a true classic overseen by Friz Freleng, who directed the vast majority of team-ups to follow. Tweety premiered in 1942's "A Tale of Two Kitties", followed by "Birdy and the Beast" and "A Gruesome Twosome", and Sylvester in 1945's "Life With Feathers" and then "Peck Up Your Troubles" and "Kitty Kornered". This latter title was a Porky Pig cartoon followed by the equally inspired "Back Alley Oproar", which has the most amazing and eclectic musical soundtrack of any cartoon ever.
Once Tweety had teamed with Sylvester, he continued to appear only with his new tormentor/tormentee, but Sylvester continued to appear in other formats by other Warners animators, occasionally with his whiny, embarrassed son Sylvester Jnr. and interminably with a kangaroo mistaken for a giant mouse, and eventually tiresomely with the one-joke Speedy Gonzales. While these tended to overuse the character, Chuck Jones did turn out a series of three inspired horror spoofs with Porky Pig ("Scaredy Cat", "Claws for Alarm", and the sci-fi "Jumpin' Jupiter") in which Sylvester was necessarily mute! In these, Porky is oblivious to the fantastic and scary events around him, while Sylvester desperately tries to clue him in with frantic mimes! What was interesting here is that Warners placed no restrictions or restraints on how a character was used or interpreted in those days, giving animators complete artistic freedom in how they chose to employ or portray even major faces. However, all of these traded on the goodwill generated by Freleng's Sylvester and his amazing sense of timing and attention to detail. I think it's the appalling few micro-seconds of resignation, horror, confusion, or despair on Sylvester's face before he pays the painful price for his evil intent that makes these cartoons so agonisingly funny.
Sylvester also appeared in a Foghorn Leghorn cartoon (1947's "Crowing Pains"), in Daffy Duck's legendary "Scarlet Pumpernickel" in 1950, and alongside Wile E. Coyote (in 1965's awful "The Wild Chase").
However, it is with the malicious and vindictive and far from cute and innocent Tweety that Freleng's lisping alley cat truly shone, in a series of just over forty almost heartbreakingly violent encounters with his malevolent meal. The Tweety and Sylvester cartoons rival Tom and Jerry for sheer laugh-out-loud entertainment, replacing their cosy rough and tumble with brutal, sheer wanton cruelty. Those expressions of despair, resignation, and misery on the poor creature's face say it all...
Once Tweety had teamed with Sylvester, he continued to appear only with his new tormentor/tormentee, but Sylvester continued to appear in other formats by other Warners animators, occasionally with his whiny, embarrassed son Sylvester Jnr. and interminably with a kangaroo mistaken for a giant mouse, and eventually tiresomely with the one-joke Speedy Gonzales. While these tended to overuse the character, Chuck Jones did turn out a series of three inspired horror spoofs with Porky Pig ("Scaredy Cat", "Claws for Alarm", and the sci-fi "Jumpin' Jupiter") in which Sylvester was necessarily mute! In these, Porky is oblivious to the fantastic and scary events around him, while Sylvester desperately tries to clue him in with frantic mimes! What was interesting here is that Warners placed no restrictions or restraints on how a character was used or interpreted in those days, giving animators complete artistic freedom in how they chose to employ or portray even major faces. However, all of these traded on the goodwill generated by Freleng's Sylvester and his amazing sense of timing and attention to detail. I think it's the appalling few micro-seconds of resignation, horror, confusion, or despair on Sylvester's face before he pays the painful price for his evil intent that makes these cartoons so agonisingly funny.
Sylvester also appeared in a Foghorn Leghorn cartoon (1947's "Crowing Pains"), in Daffy Duck's legendary "Scarlet Pumpernickel" in 1950, and alongside Wile E. Coyote (in 1965's awful "The Wild Chase").
However, it is with the malicious and vindictive and far from cute and innocent Tweety that Freleng's lisping alley cat truly shone, in a series of just over forty almost heartbreakingly violent encounters with his malevolent meal. The Tweety and Sylvester cartoons rival Tom and Jerry for sheer laugh-out-loud entertainment, replacing their cosy rough and tumble with brutal, sheer wanton cruelty. Those expressions of despair, resignation, and misery on the poor creature's face say it all...
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