Películas argentinas por ver

A patient in a mental hospital claims to be an extraterrestial. Could he be right?

Film originally intended for revolutionary working class and leftist intellectuals. About the life of a union activist who began his struggle in the Peronist ranks during the '60s and corrupted in his rise to power.

Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of the money and reunite with his family, or at least avenge the damage done.

A group of friends meets to eat a barbecue on the terrace of Tito's house. The celebration takes place between talks about women, cars, football, politics, movies and also revealing hidden grudges and betrayals that come to light.

An unemployed man starts a private car service and takes an older man, Jalil, on a long distance journey from Buenos Aires to La Paz in Bolivia. Non-stop arguing during the ride changes their lives.

A Bolivian immigrant working illegally as a cook in a small restaurant in Buenos Aires suffers abuse and discrimination from its customers.

This films tells the true story of seven teenagers who agitated for reduced student bus fares under two different regimes in Argentina, with tragic results. At first succeeding under the government of Isabel Peron, their protests draw hostile attention from the military regime that overthrows Peron. The ensuing crackdown on student social activists is demonstrated when police break up a school dance wielding swords on horseback. Later, six students are kidnapped in the middle of the night, and the police deceitfully claim ignorance about their whereabouts. Pablo (Alejo Garcia Pintos), a seventh member of the group is later arrested and learns that they have been brutally tortured by authorities. He survives to tell their story, but the six are never found, numbering among the hundreds of students who were kidnapped and are still missing.

EN LAS NUBES (In the Clouds) explores the complicated, and often comedic, space between how we think romance should work and how it actually does. Set all around Buenos Aires during one momentous week in the lives of Mariela, an Argentinean illustrator, and Oliver, an American dog food executive working abroad, the film takes a look at conflicting cultural disagreements about intimacy and the way the once-simple idea of a marriage proposal has taken on an increasingly public, and sometimes ridiculous, weight in this golden age of YouTube.

Nene & Angel and their accomplice Cuervo participate in a botched bank robbery in 1965 Buenos Aires, then hide out from the police in Uruguay while the gang breaks down.

The goalkeeper of a little-known soccer team is kidnapped by a Argentinean government squad and sent to a detention center. After months of torture, he plots his escape with three other young men.

The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "disappearance" of dissident friends, a human rights lawyer (Ricardo Darín) and his research scientist wife (Cecilia Roth) flee the city and hide from the military police in a vacant summer house. With them are their two kids: Harry, who is fascinated with the escape artistry of Harry Houdini, and El Enano, his little brother. (Translated as "Little Guy" in the English subtitles, played by Milton de la Canal. The actual translation is "dwarf".) The family adopts new identities and attempts to lead a normal life. Later, they are joined by a student who is using the alias Lucas (Tomás Fonzi). Their new life is difficult, but a visit with their estranged grandparents (Fernanda Mistral and Héctor Alterio) reveals that they are still a close-knit family. Subtly hinted, however, and used as a metaphor, is the mother's constant smoking and El Enano's renewed bed-wetting. Both serve to show how stressful and precarious their situation is.

The story of a hitman, a man who kills other people for money, and the dangers that come with the job.

Victor is a man who gets to Paris to join his family around their seriously ill father, Max. As the chance of selling the family business begins to disrupt the family relationships, Victor is desperately asked for help by Max. What seems in the beginning mere delusions of an old man losing his mind, begin to show traces of some sort of real 'secret' that is troubling Max's last days. Victor decide to help his father to find that something (maybe just peace) he is searching for.

This near-silent black and white film from Argentina tells the story of a city that has lost its voice, stolen by Mr. TV, and the attempts of a small family to win the voice back. Similar in design to early German expressionist films.

Cristina's life is thrown into turmoil when she is suddenly escorted from her strict Catholic school in Buenos Aires and told that she is really Sofía Lombardi, the daughter of activists who disappeared in the '70s. Questioning everything she once thought true, Cristina embarks on a journey to find her true identity. Meeting others like herself, the young girl soon discovers the real-life horrors of Argentina's relatively recent past and the nightmare that claimed tens of thousands of lives during the country's "dirty war."

In 1840's Buenos Aires, Argentina, a beautiful young socialite named Camila falls in love with Ladislao, a Jesuit priest. After several failed attempts at fighting his own feelings, he ultimately succumbs to her. The two later escape to a far off, secluded village where they assume new identities as husband and wife and begin running a children's school. After several months of relative happiness, the couple's identity is discovered by a local priest. Under moralistic pressure from both Camila's family and the Catholic church the authorities apprehend the lovers, and imprison them for sacrilege.

Three people and a baby set off on separate journeys, along the same road; their disparate dreams and stories intertwine amidst the breathtaking deserted Patagonic route.

Nazareno Cruz is the seventh son of a couple living in a high mountain village. According to a myth, a seventh son will become a wolf on nights of the full moon. Everyone in the village is relieved when this doesn't happen. The boy grows up and falls in love with a beautiful girl, Griselda. When he's 20 years old, he is visited by the Devil, who offers him the wealth of the world if he will turn his back on his love for Griselda, and if he fails to do this, he will become a wolf.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a clinic with Nelda, a progressive nun. Into this idealistic family comes Hans, a jaded Spanish geological engineer -- surveying the land for the local patron, to see if it can be dammed for hydro-electric power, which would drive the peasants from the land into the cities.

In Buenos Aires, a few days before traveling to Spain with his beloved wife Liliana Rovira to visit their son Pedro, the leftist Literature professor Fernando Robles is compulsory retired in the University, and he concludes that it is impossible to live with his pension. The crisis in Argentina does not allow Fernando to get a new job, and his wife decides to sell her family's apartment and move to a small farm near Villa Dolores to reduce their expenses. Fernando comes up with the idea to grow lavender and sell the oil to the perfume industry.

Fernandez is a lonely man leading a lonely life. All he does is work for an old man in a hardware store. But all that changes, when he meets the girl of his dreams...and her family.

A group of poor people living on the bare minimum in a slum, trying to survive in a world that seems to have no place for them. With a tone raw and realistic story portrays their daily tragedies, and their struggle to survive.

An Argentina film, which narrates the life of Argentine boxer José María Gatica, from his childhood until his tragic death in Buenos Aires in 1963.