Argentina

An emotional documentary that tells the life of the artist Willy Lemos, marked by domestic abuse, the challenge to break conventional norms in the art world and the resilience that allowed him to overcome insurmountable obstacles. Sensitively directed by Sabrina Parel.

Bank employee Morán schemes to steal enough money to never work again, then confess and serve prison time while his colleague hides the cash. Soon under investigative pressure, accomplice Román meets a woman who transforms him forever.

At the University of Buenos Aires, a rivalry arises between two Philosophy teachers for a professorship position.

A team of lawyers takes on the heads of Argentina's bloody military dictatorship during the 1980s in a battle against odds and a race against time.

The story of Inés, a young woman who after a traumatic episode during a trip with her partner begins to confuse herself between the real and the imaginary.

Two young lovers embark on a relationship while a rumor of sharks at the beach has everyone talking.

A thriller by film director-writer Miguel Cohan. A deadly duel within a family where there can be no winners.

In times of the infamous Argentinian Corralito, the neighbors of a little town trace a plan to recover the money they lost after learning that their bank manager and a corrupt lawyer have stolen it.

A director and actress of a movie inside a movie come to the realization that they have fallen out of love, and attempt to spark something anew.

Lorenzo, a 50 y.o. painter, is having a child with his new wife, Sigrid. She gets stranger and stranger - or he does. He claims, the baby's been switched.

A thug breaks into a specialized car with a special security system that keeps him trapped inside with no one being able to hear him crying for help.

Tracking the tandem voyages of a mother and daughter into fraught emotional terrain, Argentinian director Paula Hernández examines the ways desire and expectation clash when familial pressures push women to their limits.

Mariano buys Don Irriaga's store and discovers that the street where it is located will be closed to traffic. Now he has to do something before the closure takes place.

A story of relentless grit, motivational strength and humbling triumph, PALAU is a film many will relate to. As a young man, a passion and vision to proclaim the Good News of Jesus to all the nations was planted deep in Luis Palau's heart. Amidst both seemingly insurmountable struggles and remarkable miracles, Luis never lost sight of his calling. His extraordinary story will bring hope to the masses and encourage all that God has greatness in store for them.

Four aged motion-picture veterans, who share a country estate, are visited by two underhanded real-estate developers who seek to make them homeless. But, though they are old, they still have their storytelling skills intact.

Mariela is a 35 years old young woman who returns to her hometown after fifteen years. There, she expects to look for and meet Gaston, an old calf love. Gaston has a two years older brother, Carlos, with whom Mariela was also romantically involved. Carlos always felt attracted to her but he always knew that her love was fonder to his brother. Although Mariela always felt attraction and love for Gaston, she could never avoid falling into Carlos' traps. He wanted to get her away from his brother in order to stay with her. Gaston has always been the weakest of the three. The Forest of Dogs is a love triangle story, full of abuses, secrets and lies. During Mariela's adolescence her parents died in an accidental fire. One night, the flames consumed the house while the couple was sleeping. Mariela saved her life because she was not there. When she arrived she found the house on fire and the neighbors who couldn't do anything. She always blamed these neighbors for not helping to save her parents' lives. After this incident, Mariela murders her neighbors' dogs as revenge. Gaston was the perpetrator of these murders. Although there were some suspicions in the village, nobody never really knew who was responsible for these acts. Mariela kept on living for some time at her aunt's house, and then went to Buenos Aires looking for a better future. Fifteen years after her departure, Mariela returns to the town where she grew up. Once there, she decided to look for Gaston. At the moment of the story, he is a shy and lazy boy without any motivation in life. When they meet again, he rejects her. He recriminates her for having left the village. For him, her return makes no sense now. This makes Mariela come closer to Carlos, Gaston's brother. Carlos, with a strong and authoritarian personality, has always dominated his younger brother. He is the only one in the village who knows the truth about the dogs because he had discovered it at that moment, and this was useful for him to extort both teenagers; he made Gaston do whatever he wanted and also made Mariela have sex with him. At present, Carlos is not close to his brother. Mariela hounds Gaston. He rejects her and during a confrontation between both he reveals that he can't cope with his life anylonger. The meeting with Mariela leaves him absolutely unmotivated; he sees Mariela as a threat. The following day, Mariela is detained by the local police to inform her that Gaston has committed suicide. Mariela is disconsolate. She hesitates about what to do. At the same time, she is humiliated by Carlos, who not only extorts her by that dark past which only he knows; but also has a reason now to indirectly blame her for the death of his younger brother because her arrival precipitated this event. Mariela is seen in the village as a pariah. She is kicked out of the hotel where she was staying. They closed their doors on her. Believing that Carlos is responsible for Gaston's death as he constantly humiliates him, Mariela decides to plan her revenge. Carlos represents that past full of pain and anguish. Besides, as he is the only one who knows her past secret she deceives him into thinking she wants to stay with him. Mariela seduces him and finally kills him. Carlos' murder happens in a forest, in a similar place where the dogs were killed. Mariela who has planned everything, buries the body to make it disappear, and afterwards she takes a bus back to Buenos Aires. Carlos has died like a dog and with him Mariela's dark past.

Two great friends who live in a small coastal town face an opportunity that will change their lives forever.

In a snowy and industrial city in the south of Argentina, Paula, a 23-year-old girl from Buenos Aires, starts an intense job hunt with the sole purpose of saving money. The lack of a job, a home and a stable emotional environment will end up turning that search into a personal and introspective journey. She will have to deal with the hard living conditions in the south as well as with the unsolved aspects of her life, which will gradually be revealed. She knows she is shouting, but she can't hear herself.

In the Easter Week of 1987 the government of Raúl Alfonsín falters. Aldo Rico leads a military uprising that puts the country in suspense. The tension culminates in a meeting of President Alfonsín with the military rebels and a speech that sows the doubt about whether he negotiated with them. Time did not appease that enigma. "Esto no es un golpe" goes back on the characters and places of that traumatic episode.

A copy of the Necronomicon rests, hidden, in the National Library of the Argentine Republic in Buenos Aires. The mysterious death of Dieter, the ageless protector of the book, leads Luis, a librarian, to a confrontation with evil forces, while the city seems corroded in an apocalyptic climate.

The filmmaker's journey across seven Argentine provinces, investigating the social and environmental consequences of the transgenic agricultural model with agricultural toxins. Today, in order to keep up with larger export quantities, it produces grains, meat and food with pesticides and chemicals.

THEATRE OF WAR is an innovative feature documentary that reveals the personal stories of both British and Argentinean former soldiers whose lives were deeply affected by the Falklands war. The stylized individual narratives, where real experience is turned into fiction by men re-enacting their own memories, reveals deeper emotional truths about the consequences of war. It is a unique collaboration between Argentinean and British timed for the 35th anniversary of the war. In a film set turned time machine, those who fought are transported into the past to reconstruct their war and aftermath memories in acclaimed Argentinian artist Lola Arias' latest work.

In a working-class neighborhood on the outskirts of a small provincial town, a group of children face the start of a strange event alone that has turned adults into 'sleeping entities'. The children of the town wait, confused and resolute, for the moment when everything returns to normal and their parents wake up.

A rural police officer investigates a strange case in which a woman is found headless. The main suspect puts the blame on a legendary monster.

Julia and her daughter Emma settle in a town. It has been a while since her husband's death but they are still grieving. Sadness has made Julia quiet and distant. Her meeting with Gaspar rebuilds their lives with a new kind of family.