This is Belgium

Sint-Truiden, Belgium. Jacky, a young cattle farmer who is constantly pumped on steroids and hormones, is approached by a veterinarian to make a deal with a notorious beef trader.

Elise and Didier fall in love at first sight, in spite of their differences. He talks, she listens. He's a romantic atheist, she's a religious realist. When their daughter becomes seriously ill, their love is put on trial.

A mischievous farmhand's son drives his family, teachers, employer, and neighbors to despair with his unruly behavior and pranks in a time when harsh punishment for disobedience was common.

Placide's dad tells him on his deathbed he'll haunt him if he doesn't find a woman soon. When he accidentally enters a photo shoot, Placide meets Sarah.

In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the petite bourgeoisie in oppressing workers. He writes a few columns for the Catholic paper, and soon workers are listening and the powerful are in an uproar. He's expelled from the Catholic party, so he starts the Christian Democrats and is elected to Parliament. After Rome disciplines him, he must choose between two callings, as priest and as champion of workers. In subplots, a courageous young woman falls in love with a socialist and survives a shop foreman's rape; children die; prelates play billiards.

Jean is a family man and factory worker who dreams of becoming a songwriter. Pinning his hopes on his teenage daughter, Marva, he takes her to singing contests in which the awkward and overweight girl struggles to belt out a tune. When Jean is suddenly fired because of cut backs, he is ashamed and even more desperate to have his daughter succeed. In a chance meeting Jean kidnaps the most famous pop star in the country and holds her hostage demanding to be heard by the music industry. Catching the attention of the media and the eyes of the nation, Jean and Marva realize that the show must go on until everyone is famous.

The drama follows two brothers who start a bar and get swept up in its success in the midst of Belgium's nightlife scene.

As an alternative to getting bullied at school, an autistic teenager retreats into the world of online role-playing games.

Based on a true story, 'Tot altijd' introduces us to a band of friends in the eighties, who spend their days enjoying their youth and turbulent (love) life. Mario Verstraete (Koen De Graeve) rushes into marriage with Sofie (An Miller), who gives birth to their son Milan. His secret admirer Lynn (Lotte Pinoy) takes a step back. A few years later, Mario and Sofie divorce and the group fragments. Thomas (Geert Van Rampelberg), a recent medicine graduate and Mario's closest friend, gets stuck between a rock and a hard place when he diagnoses Mario with MS (Multiple Sclerosis). Though not a fatal disease, it slowly consumes the patient's bodily functions and - in some cases - their minds. Mario becomes the leading spokesman for the action group Waardig Sterven ("Dignified Death") in support of the Belgian legalisation of euthanasia. Thomas does everything in his power to avoid losing his best friend, but also can't stand the sight of his continued degeneration. The film follows the journey of both Thomas and Mario, as the latter asks: "will you help me, when the time comes?"

The true story of Rocco Granata, an Italian coal miner's son who followed his passion for music against his father's wishes and social barriers.

Flanders' countryside in Belgium's early decades didn't belong to the hard-working farmers, like patriarch Van Paemel, who would rather die then consider any alternative to knowing his place and responding to problems like Animal farm's donkey, toiling even harder till it kills him anyhow. He rules his family expecting similar servitude, but cruel fate sees to it that his gentle son Desiré has a terrible, ill-compensated, never trialled life-long crippling rifle-accident, reducing the good, now unproductive boy to dreaming about emigration to America in never-ending pain, at the idle hands of the hunting party hosted by the baron who owns everything, and takes like his ruling class a very dim view at the demands, spearheaded by the young Socialist party, of the less docile new generation, whose protests are put down violently by gendarmes (paramiltary police)...

Pauline is a 'little girl of 66 years old'. She is intellectually disabled and been cared after by her sister Martha. When Martha dies, her two younger sisters, Paulette and Cecile have to make a decision on the best place for Pauline to be looked after. Neither of them is ready to take care of her. Paulette has a shop to look after and Cecile has her Albert. But according to Martha's last will, her fortune will only be divided in three equal parts if one of the sisters looks after Pauline. If they decide to take her to an institution, Pauline will be the only heir.

A young woman moves to the big city, hoping to start an independent life working as a museum guide.

Belgium, 1978. Katja, Roxy, and a group of other lively girls are too young for love, but still they are almost mothers. In a hidden location, pregnant teenage girls await the birth of their babies in secret. Some want to put their mistake behind them as soon as possible, but Katja, herself an orphan, clearly wants something different: she longs to have her own little baby. During the long wait, the girls share each others joys and sorrows. They form close friendships and distract themselves with strange games, until the bubble bursts, and Katja becomes painfully aware of the plans that the nuns are making behind their backs. She is not going to let this happen to her baby, however... Little Black Spiders is a story about the beauty and strength of unexpected friendships.

Did you know that God is alive and lives in Brussels with his daughter?

Corbiau repeats the Farinelli formula, artistic rivalry and social private drama expressed in dazzling, sometimes excessively lavish baroque scenery, music and costume, but this time in its ultimate setting: Versailles. There are two protagonists - first the title character, Louis XIV, the French sun-king who has two passions, establishing absolute rule over the realm -after decades of religious/civil wars- by divine right and artistic brilliancy as a dancer (like Nero wrote and performed musical poetry), and starts asserting himself against the entourage of his Medici mother, the regent during his minority, by building his palace complex and launching a 'fitting' new, mainly musical display of baroque show. Secondly the musical genius Gianbattista Lulli ('Jean-Baptiste') Lully, a Florentine upstart of unbridled ambition, quickly gains the king's absolute trust, despite the nationalist and aristocratic opposition to a low-born Italian, and thus turns the normally socially humble post of court composer into a 'ministerial portfolio of culture' of Cabinet rank, complete with a monopoly which kills of his artistic rivals in operatic theater. The script also weaves a complex web of court scheming for individual power and social interests, and even a sadistic but accidental murder on a young valet, producing a sensuous and sumptuous drama too complex for this format, ending in a freakish but fatal accident. Louis XIV's mother was Ana de Austria (in French, Anne d' Autriche), the daughter of one of the Hapsburgh Kings of Spain. Maria di Medici (in French, Marie de Médicis) was his grandmother, his father's mother. She was dead before Louis XIV reached the throne. Please correct the reference to "his Medici mother"

When Mavela, member of the notorious youth gang Black Bronx, falls madly in love with a boy from a rival gang, she is forced to make a choice between loyalty and love. A choice that will have dramatic consequences.

Two Belgian brass bands compete for the European title. One is Flemish (Sint-Cecilia), the other Walloon (En Avant). Sint Cecilia loses their soloist in dramatic circumstances and to ensure their participation in the contest they try to steal the very talented soloist from En Avant. The ball starts rolling and not everything will happen as planned.

Based on a true story, 'Tot altijd' introduces us to a band of friends in the eighties, who spend their days enjoying their youth and turbulent (love) life. Mario Verstraete (Koen De Graeve) rushes into marriage with Sofie (An Miller), who gives birth to their son Milan. His secret admirer Lynn (Lotte Pinoy) takes a step back. A few years later, Mario and Sofie divorce and the group fragments. Thomas (Geert Van Rampelberg), a recent medicine graduate and Mario's closest friend, gets stuck between a rock and a hard place when he diagnoses Mario with MS (Multiple Sclerosis). Though not a fatal disease, it slowly consumes the patient's bodily functions and - in some cases - their minds. Mario becomes the leading spokesman for the action group Waardig Sterven ("Dignified Death") in support of the Belgian legalisation of euthanasia. Thomas does everything in his power to avoid losing his best friend, but also can't stand the sight of his continued degeneration. The film follows the journey of both Thomas and Mario, as the latter asks: "will you help me, when the time comes?"

The story of castrato opera singer Carlo Broschi, who enthralled 18th-century European audiences under his stage name Farinelli.

As an alternative to getting bullied at school, an autistic teenager retreats into the world of online role-playing games.

A thirty-something novelist and impending father looks back on his all-too-formative years in the hapless, alcohol-ridden milieu of his youth in 1980s rural Flanders, Belgium.