LAS MEJORES PELÍCULAS MEXICANAS (TODAS LA ÉPOCAS)

An oppressed peasant kills his boss. Fearing for his life, he takes his wife and sick children and try to escape to another small town.

Fando and his partially-paralyzed lover Lis search for the mythical city of Tar. Based on Jodorowsky's memories of a play by surrealist Fernando Arrabal.

A mysterious black-clad gunfighter wanders a mystical Western landscape encountering multiple bizarre characters.

Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.

The guests at an upper-class dinner party find themselves unable to leave.

Five business partners must find a way to get money in order to save their cabaret.

The discovery of a perfect pearl forever changes the lives of a poor Mexican fisherman and his family.

Dámaso lives in a small town with his wife Ana, who is expecting a child.

An irreverent essay, unified only by the author's unique voice, full of surreal moments and provocative scenarios related to intellectual debates about the Mexican national character.

This cult-classic was Director Rene Cardona's attempt to capitalize on the popularity of professional wrestling and on of its biggest stars of the 1950's, known as "El Santo". However it is not about wrestling. It chronicles the adventures of a crime-fighting duo known as El Enmascadero de la Plata,,( The Silver Mask), and his adolescent sidekick Pecas (Freckles), as they take on a murderous Mad Doctor and an evil gang-leader called El Lobo,(The Wolf). It also features some low-budget but creative, sci-fi type of special effects and was written by the creator of the El Santo comic book series.

To foil his plan for world domination, wrestling superheroes El Santo and Blue Demon battle the mad Dr. Halder and his army of reanimated monsters.

The Mummy of the legendary wrestler Satan awakes 100 years after his death, as Satan was also a powerful sorcerer who vowed to take revenge over the City of Guanajuato before dying.

A documentary on the student movement in Mexico, 1968, made by film students

Díaz Ordaz would maintain the economic development of the country and even take it further, but he would confront a tumultuous rejection of authoritarian politics that would culminate with the student movement of 1968, just before Mexico was to be host to the Olympic Games. It was his decision to break the movement and unleash the massacre of students in Tlatelolco, a repression so savage that it would change the future of Mexico. He would live the rest of his life underneath this dark cloud.

As children in Mexico, Rafael and Pablo swear loyalty to one another, even though both love their friend Isabel. When, as adults, Isabel learns that Pablo, whom she loves, has joined the French Foreign Legion and been sent to a harsh disciplinary unit, she begs Rafael to find him and save him. Though Rafael deeply loves Isabel and wants her for himself, he joins the Legion in Africa in hopes of rescuing Pablo for the woman they both love.

The most prominent female painter of Latin America, Frida Kahlo, is agonizing in her Coyoacán home. She evokes memories of her childhood, of the streetcar accident that caused her terrible pain and affliction, her friendship with Trotsky and painter Alfaro Siqueiros, her marriage to Diego Rivera, her miscarriage, her political commitment, her love affairs and the anticipated exhibition of her works.

The story of a disciplined and sexually driven man who keeps his family isolated in his home for years to protect them from the "evil nature" of human beings while inventing (with his wife) rat poison.

A group of university employees arrive in a small village during a hiking expedition. Once there, the local priest accuses them of being university students who're attempting to spread communism and mobilizes the townspeople to lynch them.

A lady photographer and her preteen son on vacation at a beautiful Mexican resort, befriend two men whose homosexual relationship is going through some tough times.

Two couples. One of the husbands kills his wife. He is temporarily helped by the other couple. The husband wants to help him, but his wife wants to turn him in to the police.

Family honor, greed, machismo, homophobia, and the dreams of whores collide in a Mexican town. Rich, elderly Don Alejo is poised to sell the town for a profit, needing only to buy a whorehouse to own all the buildings and close the deal. It's owned by a man and his daughter: Manuelita is gay, aging, afraid; he cross-dresses and entertains as a flamenco dancer; he wants to sell and leave. His daughter wants to stay. The return of Pancho complicates things: he's a hothead Alejo tries to control and he scared Manuelita the year before. Things come to a head as Pancho breaks Alejo's hold on him, then flirts and dances with Manuelita and finds himself at risk of being called a "maricón".

Boxer Bronco has lost his boxing license after a fight and gets a job as a waiter at the "El Pirulí" brothel.

In 1985, a group of criminals mock the security of the National Museum of Anthropology in Mexico City to extract 140 pre-Hispanic pieces from their showcases.

Mercedes (Marga Lopez) dances for money with the clients of Salon Mexico, a famous cabaret in Mexico City. Her younger sister Beatriz (Derbez) studies in an expensive private school, paid by Mercedes. Obviously, young Beatriz doesn't know about her sister's job. Troubles begin when Mercedes wins a danzon contest with Paco (Acosta), her pimp. Paco refuses to share the prize with Mercedes, so she steals the money when he's sleeping.