Actors - Antonio Banderas

The love between a prostitute/vaudeville performer and her younger rent-boy/actor lover is tested when another old lady lures the boy with more wealth to offer.

A camp melodrama/comedy about Sexilia (a nymphomaniac), Sadec (a gay Islamic terrorist), Riza Niro (the son of the emperor of Tiran), and Queti (the daughter of a dry-cleaner). When Riza Niro discovers that Sadec and his colleagues are after him, he disguises himself as a punk rocker, and falls in love with the stunning Sexilia, his first straight relationship. Meanwhile Queti, Sexilia's "biggest fan", helps Sexilia come to terms with her new life-style.

A Spanish judge has the courage to look into a political murder.

Two men who do dirty work for a mysterious Mr. Galíndez, whom they have never seen, are asked to train a new recruit.

Ángel is an aging professor, a lonely widower without purpose. His lovely, spirited neighbor, Terese, interrupts his suicide attempt when she comes to borrow wine. She invites him for dinner and he meets her lover, Alberto, and their young child. Terese captivates him, he develops a school-boy's crush, and when Alberto invites him to write something for their theatre troupe, called the Stilts, he jumps at the chance. When he's not writing, he spends every waking hour with the Stilts. They take him in. It's not enough for Ángel: he begs Terese to spend time alone with him, and they do become lovers. He's obsessed. It cannot last: what will he do when she breaks it off?

Paco is a young peasant who joins the Republican Party just before the start of the Spanish Civil War, only to become involved in that awful conflict.

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

A matador is wounded by a bull and can no longer kill in the arena. It is just one of the problems of one of the characters that unexpectedly collide in this film.

A bank robbery goes wrong. The robbers, two of them unemployed family men, take two hostages, one of them needing heart medication, and leave them in an apartment, tied to a bomb. The police has to find the apartment before the bomb explodes. At the same time, in the same house, two old men are solving a jigsaw puzzle, and a female cellist practices the Bach cello suites.

Jon, a twenty-year-old boy from San Sebastián, gets up at seven in the morning and, from that moment on, we watch how he lives his friendship with Patxi and Maite, love, family relationships, his confusion about the future and, above all, his dark passion for drugs.

Delusion 1: A former TV star and a run-down actress live in the same apartment. Over time their relationship has deteriorated and, to save it, they turn to an attractive presenter. But their strategy will only complicate matters. Delusion 2: A young married couple is stunned by a newspaper story. The arrival of some fiery neighbors influences them in such a way that they will end up becoming the protagonists of the news themselves. Delusion 3: A well-known antiquarian holds a party at his house, attended by a young man of haunting beauty. The two start a romance that will reach unsuspected limits.

A gay filmmaker becomes involved with an obsessive fan while still pining for his absent true love. Meanwhile, he shares a close but complex relationship with his trans sister, an actress.

A television actress encounters a variety of eccentric characters after embarking on a journey to discover why her lover abruptly left her.

The story of two men with very different lives but united for the pleasure of killing.

Poor gigolo tries to frame his rich mature mistress, but gets tangled in his own wiles.

A girl, who lives together with her cousin who earns some money by dealing and her boyfriend who is a policeman, is regularly transporting some drugs from Morocco for her cousin. As all of them smoke grass from time to time there is need for more. Deciding to take a friend of hers who has just left home down to Morocco for a transport she gets problems because it is the first time for her friend and this makes it difficult. But as all are very open minded there is no problem they would not try to solve.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later.

A man living in a Basque town falls for a woman who is being sexually abused by her father. Tragedy soon follows when he tries to stop the abuse.

An unbalanced but alluring former mental patient takes a porn star prisoner in the hopes of convincing her to marry him.

Juan flees Madrid and an incestuous relationship with his sister, Ana, working at a mine on the Andalucian coast. When his friendship with Rosario, a local shop girl, becomes romance, Ana shows up wanting to rekindle their affair. He resists at first, but she stays, asserting that Juan is the only man she can ever love. Juan distances himself from Rosario. The mine has problems: high cancer rates in the area caused by poorly stored radioactive waste. A foreign safety engineer, Petersen, tries to connect with Ana, is rebuffed, but lets her stay in his sea-front bungalow. Juan seeks her out to demand she leave, only to argue with Petersen. Death, desire, and longing play out.

Two Cuban brothers bring a new music to the 1950s USA. They are as different as the problems that await them.

On a rainy afternoon, Mercedes meets two very different men for the first time: Ramón, who is serious and formal, and Miguel, who is carefree and bohemian. Even though she likes Miguel more, she starts dating Ramón because he makes her feel safe.

Ana is an equestrian sharpshooter for a one ring circus in Madrid for a week. Marcos is a reporter doing a Sunday supplement piece. He interviews her and she invites him to dinner with the troupe. They dance, then spend the night together; he considers following her around Europe and promises he'd follow her to Hell. While he's in Barcelona to cover a concert, three young men assault her. Bruised, humiliated, and bleeding, she picks up her rifle to hunt them down. Marcos follows her trail that, indeed, takes him to Ana's hell.