DaZ

From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It's about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.

The story of three generations of a Turkish immigrant family.

Umay is a young woman of Turkish descent, fighting for an independent and self-determined life in Germany against her family's resistance. Her struggle initiates a dynamic that results in a life-threatening situation.

A lonely widow meets a much younger Moroccan worker in a bar during a rainstorm. They fall in love, to their own surprise and to the outright shock of their families, colleagues, and drinking buddies.

Jesper is a soldier in the German army. Although his brother was killed whilst serving in Afghanistan, he nevertheless reports for a new tour of duty in this war zone. He and his unit are to protect a remote village from the Taliban. One of the people accompanying Jesper is a young interpreter, Tarik, whose job includes mediating between soldiers and villagers. Both sides have a hard time trying to overcome the differences in their respective ways of life. Jesper must gain the trust of both villagers and the allied Arbaki militia and his nerves are soon on edge. He finds himself increasingly morally conflicted as a result of his superiors' orders. His association with the Germans means Tarik's life is constantly under threat, but when Tarik begins to fear for his sister's safety, Jesper has to make a decision. Feo Aladag uses this portrait of an ISAF soldier in Afghanistan to explore questions of affinity and otherness, trust and failure. How humane can your actions be if you are bound by the workings of a strict military bureaucracy? What remains of the ideals of human dignity when you are caught up in a daily struggle for survival?