Elokuvahistoria

Documentary that chronicles how Francis Ford Coppola's Apocalypse Now (1979) was plagued by extraordinary script, shooting, budget, and casting problems - nearly destroying the life and career of the celebrated director.

A documentary following German auteur Werner Herzog as he deals with difficult actors, bad weather and getting a boat over a mountain, all in an effort to make his film Fitzcarraldo (1982).

Terry Gilliam's doomed attempt to get his film, The Man Who Killed Don Quixote (2018), off the ground.

The documentary investigates the history, process and workflow of both digital and photochemical film creation.

The story of cult film director Alejandro Jodorowsky's ambitious but ultimately doomed film adaptation of the seminal science fiction novel.

Cameramen and women discuss the craft and art of cinematography, illustrating their points with clips from 100 films, from The Birth of a Nation (1915) to Do the Right Thing (1989).

Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.

The career and life of Stanley Kubrick is explored through pictures, clips from his films, his old home movies, comments from his colleagues and a narration by Tom Cruise.

A documentary on the life and films of director John Ford.

In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger's Black Narcissus. Beyond John Huston's The African Queen and King Vidor's War and Peace, the films of the British-Hungarian creative duo (The Red Shoes and A Matter of Life and Death too) guaranteed immortality for the renowned cameraman whose career spanned seventy years.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

Documentary series focusing on great American artists and personalities.

Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).

Martin Scorsese describes his initial and growing obsession with films from the 1940s and 50s as the art form developed and grew with clips from classics and cult classics.

Twenty-six people - including two daughters, an ex-wife, his last lover, actors, fellow directors and writers, a neighbor, and boyhood friends - talk about François Truffaut. They discuss his attitudes toward wealth, his early writings about cinema, the undercurrent of violence in his films and his personality, the way he used and altered events in his life when making films, his search for a father (both artistic and biological), his relationship with his mother, the scenes in his films that cause a squirm of embarrassment, and his ultimate mysticism. Clips from a dozen of his films are included.

It's been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.

Filmmaker Lars Von Trier challenges Jørgen Leth, the filmmaker behind The Perfect Human (1967), to remake his classic short under circumstances of increasing constraint.

Slavoj Zizek examines famous films in a philosophical and a psychoanalytic context.

A collection of visionary director David Lynch's short films from the first 29 years of his career is accompanied by a special introduction to each film by the director himself.

A revealing and insightful look into the making of this underrated horror film.

Follows the routines of those employed at Studio Ghibli, including filmmakers Hayao Miyazaki, Isao Takahata, and Toshio Suzuki as they work to release two films simultaneously, The Wind Rises and The Tale of the Princess Kaguya.

Some of the chapters from Arabian Nights are adapted to a modern Portugal in this epic.

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

War stories and life lessons from the industry's top writers.

A documentary about writer and director Brian De Palma.