Argento

The true story of the Puccio Clan, a family who kidnapped and killed people in the 80s.

While working alongside his long-time friend and colleague in building a hospital for the residents of a Buenos Aires shantytown, a troubled priest finds solace in a young, atheist social worker.

Follows a lawyer sentenced to prison and his life inside an Argentinian jail.

The Puccio are apparently a family like any other: Archimedes, the father has a plan in hand, for which he needs the help of his family. He gathers his children to help him carry out the company. Archimedes's house becomes the center of operations, maintaining a life of contrasts. The story of the crime family organization, Archimedes Puccio connections with other criminal gangs and unsustainable innocence of this story based on real events.

Based on real events, the life and struggles of a student of the Buenos Aires National College during Argentina's worst dictatorship.

A team of 4 talented men solve their clients' problems by staging "drills" to deceive people.

La Tigra, Chaco. A quiet town only 20 blocks long. Esteban returns after years of absence to the place where he spent his childhood summers. He returns looking for his father, Cacho, and to talk "about Buenos Aires". But Cacho, a truck driver who has started a new family in La Tigra, is often on the road and their encounter is postponed indefinitely. While he waits, Esteban meets Vero, a childhood friend that has grown into a beautiful woman. Each step together seems to take them back to the most precious moments of a shared memory. But their relationship is not a journey into the past; rather it holds the promise of a future. Federico Godfrid's and Juan Sasiaín's first feature film transmits the warmth, honesty and sadness of this reunion, thanks to its mise en scène and the performances of Ezequiel Tronconi and Guadalupe Docampo, who give their characters a rare spontaneity.

One real hour. An hour of suspense. An hour of life and death. After 60 minutes, nothing will be the same as before.

Emanuel travels to visit his grandma Catie, who lives in the countryside. He has a feeling this is going to be their last goodbye. His mother's looking after Catie and she has decided not to speak a word about grandma's diagnosis, because she does not want to embitter her. Emanuel does not agree with this decision, but on the other hand, he is also hiding his own sexuality to his grandma. Every little moment shared among them, makes strengthen family ties while mismatched feelings emerge. Emanuel should reconsider if things are really better left unsaid.

Grandpa, why did they try to kill you? The documentary addresses the animic changes that the filmmaker experiences while he tries to understand the participation that his grandfather played, as a civil associate, during the last military dictatorship in Argentina. The role that he played as the Dean of the Architecture Faculty at the University of Buenos Aires, as a link with the concentration camp ESMA, is one of the multiple topics that grandpa "Pico" narrates in camera.

Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers....

The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "disappearance" of dissident friends, a human rights lawyer (Ricardo Darín) and his research scientist wife (Cecilia Roth) flee the city and hide from the military police in a vacant summer house. With them are their two kids: Harry, who is fascinated with the escape artistry of Harry Houdini, and El Enano, his little brother. (Translated as "Little Guy" in the English subtitles, played by Milton de la Canal. The actual translation is "dwarf".) The family adopts new identities and attempts to lead a normal life. Later, they are joined by a student who is using the alias Lucas (Tomás Fonzi). Their new life is difficult, but a visit with their estranged grandparents (Fernanda Mistral and Héctor Alterio) reveals that they are still a close-knit family. Subtly hinted, however, and used as a metaphor, is the mother's constant smoking and El Enano's renewed bed-wetting. Both serve to show how stressful and precarious their situation is.

Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a clinic with Nelda, a progressive nun. Into this idealistic family comes Hans, a jaded Spanish geological engineer -- surveying the land for the local patron, to see if it can be dammed for hydro-electric power, which would drive the peasants from the land into the cities.

In this adventurous experiment in storytelling, secret identities, missing persons, lost treasures, exotic beasts and desperate criminals are only a few of the elements woven into a grand tapestry of mysteries.

In 1920, some workers of Patagonia, grouped in anarchist and socialist societies, decide to make a strike demanding better working conditions. The situation becomes unsustainable and the government sends the order is restored.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

The portrait of a man and his attempts to make things up with life after losing his job.

A Bolivian immigrant working illegally as a cook in a small restaurant in Buenos Aires suffers abuse and discrimination from its customers.

A history of Argentina's half century of coups and military governments.

A small incident over two neighbors common wall sparks a conflict which affects the intimacy of the view over the chimney; the protagonist sparks a conflict and with paranoiac obsession destroys everyday life.

Three young people from different parts of the world and seemingly unrelated to each other live similar experiences.

After the murder of her father, a young art student Paula searches for the contracted killer who carried out the crime, a young man named Jesús.