the best 30 amazing bangla film

A selfless young woman (Supriya Choudhury) sacrifices her own happiness for her unappreciative family.

Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work.

En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams, and past experiences.

Four carefree, jaded middle-class bachelors from Calcutta head out for a holiday in the wilderness. Before long, each man undergoes their own journey of self-discovery.

It begins like a fairy tale. It starts with a ritual. A bard appears on the screen and sings.Glory be the new gods who have descended to the Earth.The chairman of the gods, concerned over the problem of want, arranges for a hundred jobs. But thousands queue for them. Too many people, too many faces, too many problems. The crowd gets disillusioned and popular discontent is mobilized as word spreads that this is just another hoax. The Chorus as well as performing the traditional role of the storyteller provides the political message, juxtaposing stylization and caricature with neo-realist and documentary sequences and direct address to the camera.

The musical duo of Goopi and Bagha make a comeback when they are invited to play for a king.

Chitraganda: The Crowning Wish, is a lusciously lit and deeply personal drama about a choreographer considering a gender-reassignment surgery. The film also explores insights into how gender expression can affect families.

Four famous directors and old friends are reunited together by an unknown producer to make a film. They make four short story in this film with one theme: Death.

This is a real life story inspired by Subir Banerjee,the little child actor who played the iconic role of Apu in Pather Panchali.

As a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION

A housemaid is killed by a local landlord's son. His servant takes the blame for the murder, to save the landlord's mentally ill son and is marooned in an island named Monpura. There the servant comes across a fisherman's daughter.

Biren Dutta is a lawyer. He is unsuccessful in his career and does not have any client. His wife is an alcoholic.The couple has one son and one daughter. Biren Dutta has an extra-marital affair with his only client.

Pen pals decide to get married and carry on a long-term relationship.

The plot revolves around three lives - a superstar, a young director and a theatre actress - and how their coming together during the process of making a film, changes them forever. The film is also a humble tribute to Satyajit Ray's Nayak.

A man (Abhi Bhattacharya) opposes the love between his sister and the orphan (Satindra Bhattacharya) they adopted years earlier.

A political satire of Bangladesh under the rule of Pakistan metaphorically, where an autocratic woman in one family symbolizes the political dictatorship of Ayub Khan in East Pakistan.

During the 1971 liberation war of Bangladesh against Pakistan in a remote village beside the river Modhumoti, Motaleb Mollah, a landlord and a local Muslim leader, collaborated with the marauding Pakistan army. After the death of his elder brother, Motaleb married his sister-in-law who had a young son named Bachchu, by the elder brother. There was an idealist Brahmin teacher in the village, Amulya Chakrabarty, who had some influence over the young Bachchu. The teacher had a daughter, a widow, named- Shanti. When the war with Pakistan broke out, watching a genocide perpetrated by the Pakistani soldiers, Bachchu joined the Bengali guerrilla's. The experiences of the bitter war shattered Bachchu's world of innocence. His guerrilla unit was deployed on the other side of the Modhumoti river to conduct operations against the Pakistani soldiers and their collaborators. Motaleb Mollah, spurred by the title Chairman conferred upon him by the wily Pakistani captain, continued to create havoc on the people around. With his gradual moral degradation Motaleb developed a carnal desire for Shanti. Then one day Motaleb's retainers killed teacher Amulya Chakrabarty and Motaleb forced Shanti to marry him. In the code of the guerrilla's the penalty of a collaborator was death sentence. But as Motaleb was Bachchu's father, his comrades were procrastinating. Then one evening Bachchu himself took a decision and crossed the river Modhumoti with a dinghy and a rifle and with a determined sense of mission.

The lonely wife of a newspaper editor falls in love with her visiting cousin-in-law, who shares her love for literature.

A mysterious man arrives as a servant in a dysfunctional and fragmented joint family and over time, helps them to rebuild the love and compassion within the family.

Tarak is a professional foley artist whose obsession with creating sound effects for films makes him oblivious to all the talking around him. As his family and friends struggle to cope up with his changing soundscape, Dr Swati tries to figure out the roots of his obsession and finally succeeds to identify. Yet, Tarak plunges deeper and deeper into the world of the unheard as his love for cinema is unplugged.

In this quest narrative that makes the Odyssey look like a trip to the mall, four men, each peculiar in his own way, embark on a quest to reason with the estranged wife of the protagonist.

The life and notable works of Anthony Firingee, a 19th-century Bengali-language folk-poet of Portuguese origin. The time frame of the storyline jumps between two different time periods: the 19th century and the present day.

Abohomaan tells the story of Aniket, one of the finest filmmakers of Bengal in eastern India and the loves of his life. Devoted to his craft, Aniket met and fell in love with his wife Deepti, an actress, while they worked together on the set of a film. They were so in love that Deepti sacrificed her own career for her husband's and for their son Apratim, but lost a little of who she was in the process. The plot thickens when Aniket auditions a young actress, Shikha, who bares an uncanny resemblance to his wife when she was younger. Deepti enthusiastically begins to coach Shikha for her husband's film - so much so that Shikha becomes even more like the girl Deepti used to be and as a result the aging Aniket falls in love with Shikha, a woman as young as his son, despite the sadness and trouble it brings to his family.

Shirshendu Mukhopadhyay's famous tale of 3 generations of women and their changing position in society, seen in relation to a box of jewels, handed down from one generation to the next.

This final installment in Satyajit Ray's Apu Trilogy follows Apu's life as an orphaned adult aspiring to be a writer.