Sinemayê Kurdi

In a remote, isolated Yazidi Kurdish village in post-Soviet Armenia, Hamo, a widower with a pitiful pension and three worthless sons, travels daily to his wife's grave. There he meets the lovely Nina, who is communing with her late husband. The two are penniless--she works in a local bar that is about to close down, while he has been forced to start selling his meager possessions. All seems hopelessly bleak, yet when Hamo begins to court Nina, their unexpected love revitalizes them.

Set during the Iraq-Iran war in the 80s, the film tells of a tragicomic road trip set in Iraq's Kurdistan.

Beko is a young Kurd who lives in the Turkish part of Kurdistan.

A war of national liberation or a war against terrorism? Film-maker and acclaimed freelance journalist Kevin McKiernan poses this question at the outset of this stirring, provocative film shot in part by legendary cinematographer Haskell Wexler. It's all in how you define "good" and "bad." "Good Kurds" are those in Iraq: they're Saddam Hussein's victims, whom we want to help. "Bad Kurds" are those waging an armed insurrection against Turkey, an American ally: they're at the receiving end of U.S. weaponry. McKiernan went to northern Iraq to cover the revolt against Saddam Hussein. Just a few miles away, no one was covering the hidden war in Turkey. McKiernan determined he would report the story independently. 'Good Kurds, Bad Kurds' brings a sharp clarity to a complex history, while providing disturbing insight into immigration practices and U.S. foreign policy.

The outcomes of the isolation system and its influence on human life will be told both by the victims and the witnesses.

Leyla Zana, the first woman Kurdish MP to be elected to the Turkish Parliament in 1992, was impisoned in 1994 for 15 years for speaking in Kurdish in the Parliament. Kudret Gunes' personal look at the life of Zana takes her to her birth-place, friends and exiled husband.

Baran (Cagdas Bozkurt) is a young Kurd who was sent to Hamburg after his parents, who had helped Kurdish rebels, were betrayed and subsequently killed by the Turkish militia. Now that Baran is 16, he is no longer allowed to stay in Germany and faces the bleak prospect of getting deported back. Baran meets Chernor (Leroy Delmar), an African boy who has the same problem and traffics drugs to make some money. Chernor is openly gay and their friendship has sexual overtones from the beginning. Baran also has very little interest in girls, even though a marriage might solve his immigration-related legal trouble. Things get even more complicated when Baran spots the traitor of his family and wants to kill him. However, the man pleads for his life and Baran spares him. After this act of forgiveness, Cherno and Baran have sex together for the first time, making it clear to Baran that his interest in Cherno goes beyond friendship. Finally, both Cherno and Baran, who had made a desperate attempt to free Cherno, are arrested by the police.

Two young Kurdish refugees, recently arrived in Germany struggle to make their way through the harshness of the occidental city. Their encounter with a gang of Turks will rapidly led them into an inevitable tragical spiral filled with death and revenge

A love story about two Kurds in the north of Norway.

On his wedding day, a Kurdish man must flee through Turkish, then Iraqi and eventually Iranian Kurdistan.

An elderly radio-operator travels across Kurdestan in the war-torn 80s assuring communication between lost families.

As era of Saddam ends in Iraq, far away in Germany, Azad, a Kurdish exile is glued to TV screen.

Inside a beat up stadium in Kirkuk, Iraq, live many refugees trying to escape Sadam Hussein's administration. Asu lives with his younger brother who has lost his legs from a landmine. Next door lives Hilin, who has not been able to express her feelings. One of the only sources of happiness for these people who live amid fear of poverty and bombings is soccer. Asu gathers together the Kurdish, Arabs and Turkish in order to hold a soccer match. Although they are of different races, they become close neighbors.

In Paris' cosmopolitan and colorful 10th arrondissement, Philippe, who's fresh out of prison, crosses paths with Avdal, a Kurd who is trying to track down an Iraqi war criminal. Avdal, who dreams of staying in France, plans to bring his fiancee Siba to Paris. She's due to arrive in the next few days. The two men strike up a friendship and when Avdal dies suddenly and unexpectedly, Philippe finds himself left to organize the funeral arrangements. What should he do with the body? Siba arrives in Paris, and soon learns that Avdal has died. She is taken in by a group of Kurdish men and before long she also meets Philippe - all of whom are quite smitten by her beauty. Meanwhile, Avdal's father Cheto, a devout Muslim, comes to Paris to grieve for his son. He intends to force Siba to return to her homeland, but the young woman has now had a taste of freedom

This is a documentary film chronicling the brutal Honour Killing of Banaz Mahmod, a young British Kurdish woman in London, killed by her own family for choosing a life for herself.

Bakur (North) is a documentary that invites its audience to reflect on a war that has been continuing for decades and gives an insightful look on its main subject, the PKK. The film follows the lives of the guerilla in three different camps on the Kurdish region (north) that lies within Turkish borders.

Süsen lives in a troubled family, after they move to Izmir, her father left the home and she effected by all. She sail to a new life with her childhood love, Yusuf. But the marriage will not be an exit for her.

A young Kurdish man is torn between his mother's nostalgic search of a song in her dreams and an uncertain future with his pregnant girlfriend.

A woman works as electrical engineer in a construction site where mostly Kurdish workers are employed. After the death of her brother in a clash during his military service, she starts to behave the workers including the illegally employed worker man who is secretly in love with her, like enemies.

The life of the writer, intellectual, spokesman of democracy, and activist Musa Anter is now a movie rich in metaphors and images.

Every saturday they sat infront of the Galatasaray Highschool, bringing us the bitter truths of Turkey, those who have lost dear ones.

A recently orphaned young Kurdish-French woman travels to Iraqi Kurdistan to find her mother's village, likely destroyed during the Anfal genocide.

This is the story of two women on opposite ends of a life-time, a very young, curious Jiyan and her life-weary but resistant grandmother Berfe, in order to save the person who links them to each other.

A road movie set in Iraq in 2003 during the fall of Saddam. Two Kurds are looking for the parents of a five-year-old boy who has been found in the street in tears. His name is Saddam too. At the same time the boy's parents are looking for him everywhere, worried because of the boy's name which is now taboo. All the attempts of the two Kurds to get rid of the child fail: neither the Americans nor the men of religion at the mosque want him. Little Saddam begins to become a real problem. In the streets and all around them, they are surrounded by the chaos and crazy atmosphere of those days, with violence always on the verge of exploding.