Bangla

A struggling actor becomes a professional impostor, hired to impersonate people for financial gain, but as he delves deeper into his work he becomes embroiled in trouble that threatens to unravel his life.

A story following the life of Ranu (Joya Ahsan) and her paranormal powers. She goes to psychiatrist Misir Ali (Chanchal Chowdhury) to find an answer to all her questions.

Paap Punyo (Vice and Virtue) simply means 'the bad and the good'. But, In one place what is considered as bad can be considered as good in another place. So, defining this, is not that straight forward. Khorshed, the president prize winner local chairman, also didn't manage to define the thin line between the vice and virtue in his life. As the story progresses, he confronted an undiscovered relationship with his housemaid's son Al-Amin that put him in the middle of the dilemma of what is Paap (Vice) and what is Punyo (Virtue).

75 years Jaladhar Sen faces emotional trauma with the plan to celebrate the old couple's marriage day minimally. Sen plans for a foreign trip and comes across Tonic, the travel agent.

A gifted make-up artist gets entangled up in a world of crime with a psychopathic vigilante.

A small town school teacher with protruding canine teeth finds that he has striking similarities with the legendary Count Dracula.

A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long-lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels.

Story about how the relationship evolves between a Mother and Daughter when forced to come together under unusual personal circumstances

This film is a tribute to master filmmaker Satyajit Ray in his birth centenary and it's inspired by the story behind the making of Ray's iconic film 'Pather Panchali'.

The musical duo of Goopi and Bagha make a comeback when they are invited to play for a king.

Life of an elderly couple and the bond that parents, children and other members of the family share together in a Indian family in Bengal.

Pramit, an independent filmmaker who is yet to experience the spell of love in his otherwise not-so exciting life, starts shooting a documentary film on love. His exploration leads him to the baffling knowledge of an unforetold mysterious village, existent on what is believed to be the threshold of reality and fantasy. If anyone ever reaches there, stumbling upon a series of coincidences, cannot steer clear of the cupid's arrow, and readily falls in love. Pramit, along with his cameraperson starts looking for the village and subsequently passes through a succession of events which can be termed nothing but magical! Love, with all its colours - sublime as well as physical - doesn't fail to come his way too, or, does it really?

Fifteen years after they parted ways, Sayani, Law officer in a corporate firm meets Asimabha, a brilliant man leading a devious life, and they go through a unique journey with a curious interplay of conflict, intrigue and surprise.

A man running "Hemlock Society," a school teaching suicide methods, bonds with student Meghna, a depressed woman. Their connection leads both on a transformative journey.

Sraboni / Shaon (Esha Saha) and Antor Sen (Aditya Sengupta) have been married for 2 years and 5 months, and live in a joint family with Antor's parents, brother, sister-in-law and niece. Unbeknownst to her draconian, Rabindrasangeet-loving, idealist mother-in-law, Shaon has a career writing scripts for Bengali soaps (watching which too are strictly forbidden in the household). In contrast to the fiercely independent Shaon, Antor is usually indecisive and equivocates every time he is asked for his opinion on any matter. Shaon and Antor are unable to conceive because Shaon suffers from polycystic ovary syndrome - something which causes her a lot of mental anguish. When Shaon's friend Parijat Mukherjee becomes pregnant by her boyfriend Matthew and wants to abort the baby, Shaon convinces her to go ahead with the pregnancy and gives her the word that she will adopt the baby and provide it a fine upbringing. Shaon's short-lived dreams of motherhood however are soon shattered when Matthew comes back and takes responsibility for the child, and Parijat goes back on her word. The heartbreak in addition to her frustration with the restrictive household causes Shaon to leave her in laws home and seek refuge with her eccentric father and mother (Aparajita Auddy). However, Antor and Shaon soon run into each other and Shaon expresses her wish to go out for a beer with her estranged husband. Subsequently, the two celebrate their wedding anniversary by checking into a cheap hotel in Diamond Harbour. At the hotel, Shaon confesses that she values her independence of thought, dressing and cultural taste - and was rather restrained in Antor's house. As they are about to reconcile, the couple is arrested by the police on charges of immoral behaviour - something that they manage to escape once Antor's elder brother turns up at the police station with their marriage certificate. Antor becomes disillusioned with the city and welcomes the transfer to Bhilai. 2 days before his journey, he asks to meet Shaon one last time. As they meet, Shaon tells Antor that she is willing to accompany him to Bhilai. A grateful Antor tells her that he will give her whatever she wants in Bhilai, indicating her freedom in his company as well as motherhood.

Mukherjee Dar Bou is a story based on a modern dysfunctional family revolving around the complex and intricate yet caring relationship of a mother-in-law and daughter-in-law. The story revolves around a Bengali home maker whose name is not known till the end of the film, and who is mostly referred as "Mukherjee Dar Bou". Mukherjee Dar Bou (Aditi) is married for more than ten years and has a daughter of six years old . Aditi's married life was usual but it takes a turn when her father-in-law passes away.

Nirbaak is a medley of four tales of silent love, involving one woman (Sushmita), three men (Anjan, Jishu and Ritwick), a tree and a dog.

Bangshi Das is an impersonator of Charlie Chaplin. He earns peanuts by being the 'joker' at birthday parties. However, he prefers to call himself an actor rather than a worker. His life circles around his son who is the greatest critic of his performances. Poverty never seems bitter as the father-son duo knows how to make fun of it.

Sanjhbati is the story of Sulekha, the lonely elderly woman facing difficulties with her loneliness and crankiness. Director Leena Gangopadhyay has led us through various events of Sulekha's life involving her caretakers.

Ranjana Ami Ar Ashbona is a 2011 Bengali language Indian rock musical drama film by Anjan Dutt.

This final installment in Satyajit Ray's Apu Trilogy follows Apu's life as an orphaned adult aspiring to be a writer.

Following his father's death, a boy leaves home to study in Calcutta, while his mother must face a life alone.

Two chaste lovers bow down to social taboos and repress their feelings, but doing so pushes them towards a horrific crime.

The life and notable works of Anthony Firingee, a 19th-century Bengali-language folk-poet of Portuguese origin. The time frame of the storyline jumps between two different time periods: the 19th century and the present day.

Dhananjoy's story is based on the conviction of Dhananjoy Chatterjee, accused for the gruesome murder of Hetal Parekh, which took place in the year 1990. On the basis of circumstantial evidence and on the basis of the deceased mother's statement, Dhananjoy Chatterjee a security guard, was executed and hanged to death on the early hours of 15th August 2004, after serving imprisonment for 14 long years and after having appealed to all levels of court in the country; and finally, to the President of India.