Cortos

Inside a box full of curio, a puppet who is recently freed from his strings explores a dusty and forlorn commercial area. The explorer becomes ensnared into miniature tailor shop by baby-faced dolls.

Set to a classic Duke Ellington recording of "Daybreak Expresa" this is a five-minute short on the soon-to-be-demolished Third Avenue elevated train line in Manhattan, New York City.

The story of a man forced to explore his memories in the wake of World War III's devastation, told through still images.

Multiple exposures of street scenes in Hong Kong and Taiwan, fracturing the milieu and revealing the spatial transmutation of two states existing somewhere between China and not China.

An experiment with editing techniques that distort space and time in order to further contextualize an image.

A study of human anxieties about beauty, youth and objectification.

Luis Buñuel and Salvador Dalí present 16 minutes of bizarre, surreal imagery.

Experimental short film depicting the life, perhaps real, perhaps a dream, of a young girl named Emi. Emi travels to the city where she encounters her counterpart, Sari, and falls in love with...a vampire?

A day in the life of the city and citizens of New York as seen through the fantastic eye, and the incredibly distorted optic lenses, of filmmaker Francis Thompson.

Man in the face of society. A struggle between man and the spectres that hound him. A short film that uses a number of animation and film techniques.

Told in four episodes - an unnamed artist is transported through a mirror into another dimension, where he travels through various bizarre scenarios.

Egyptian gods summons the angel Lucifer - in order to usher in a new occult age.

A military group of men is locked up in a bunker in an unknown future. All those soldiers are waiting for an eventual enemy. But the discovery of a certain project will cause several catastrophies and will make those men kill each other...

A short film which explores the last day in the lives of six different people.

A group of astronomers go on an expedition to the Moon.

A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).

A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, kitchen objects in concentric circles or rows - pots, pan lids, and funnels, cars passing overhead, a spinning carnival ride. Over and over, a heavy-set woman climbs stairs carrying a large bag on her shoulder. An Art Deco cartoon figure appears, dancing. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden.

Lot in Sodom is a sensual depiction of the Sodom and Gomorrah story filled with sinewy and semi-clad bodies, delirious bacchanales devoted to physical pleasure, and a searing, cataclysmic finale depicting the fall of a city devoted to sins of the flesh. Digitally mastered from excellent 35mm elements. Lot In Sodom has its original experimental soundtrack by Alec Wilder.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

1965 action of Vienna Actionist artist Günter Brus shot and edited by Kurt Kren. Structuralist film theory emphasizes how films convey meaning through the use of codes and conventions not dissimilar to the way languages are used to construct meaning in communication. However, structuralist film theory differs from linguistic theory in that its codifications include a more apparent temporal aspect. In other words, the site of the study (the film) is moving in time and must be analyzed in a framework which can consider its temporality. To that end, structuralist film theory is dependent on a new kind of sign, first proposed by the Prague linguistic circle, dubbed the ostensive sign.

1334, a ghost story that reveals the haunting disturbances that began to plague the ones left behind following the completion of PIG (1998) and the death of Rozz Williams, where reality turns into darkness, with the effect upon no return, based on true occurrences.

A gang of Nazi bikers prepares for a race as sexual, sadistic, and occult images are cut together.

Historical, biblical, and mythical characters gather in the pleasure dome and become part of a visual feast of superimposed images, hallucinations, and decadence.