Versailles

The title of this major French costume drama means "Louis, child-king", and indeed it's a fascinating fresco about the formative years of the young king Louis XIV, before he became the Sun-king at Versailles. It was a dark and violent period, when the Louvre (meaning 'wolves hunt castle', hunting was a major aristocratic pastime), then still the somewhat gloomy royal palace, was the battle field of palace intrigues while the regency was held by queen-mother Anne of Austria but the actual head of the royal government was the aging cardinal Giulio Mazirini ('Mazarin'), the less-known Italian successor of Richelieu, who also introduced to the court and the kingdom a host of his countrymen from whom Louis would learn the passion for Italian culture, especially music which would flourish under the direction of Lully (but that later story is another movie, "Le Roi danse"). The elaborate script sketches the story of French power politics, too complicate and devious to summarize in any detail, but mainly from the viewpoint of the immature king under maternal guardianship, who probably didn't comprehend half of the grave troubles focusing on the strife between the official Catholic church and those claiming freedom of religion, especially for the Huguenots, but in reality mainly driven by personal and family ambitions and the grip of nobles on the kingdom at the expense of the royal power, and climaxing in a full rebellion, known as the Fronde, which forces the royal family to flee for their lives, an experience that may have decided Louis to dedicate his reign to preventing a repeat by establishing absolutism as he did. Some narration is done by Louis's younger brother Philip, the duke of Anjou, who seems smarter but as the spare heir is condemned to life in a golden cage, overshadowed by Louis while any 'disrespect' for his crowned sibling is punishable on the spot by strap lashes administered on his bare behind by a servant.

Vatel is the cook of Prince Condé. When the prince invites Louis XIV to hunt, he has to give lavish banquets in order to fall in his favor. But when Vatel falls in love with the king's mistress, love and duty come into conflict.

Jeanne Poisson draws the attention and heart of French King Louis XV during a costume ball. She has mastered the art of seduction well enough to be accepted even by the queen.

To get royal backing on a needed drainage project, a poor French lord must learn to play the delicate games of wit at court at Versailles.

The tragic life of Marie Antoinette, who became queen of France in her late teens.

A look at the platonic relationship between Marie Antoinette and one of her female readers during the first days of the French Revolution.

Docudrama about the life of Louis XIV nicknamed "the Sun King", the King of France who ran a glamorous court, expanded the borders of France, loved women and parties and built an incredible palace for himself - the Versailles.

Corbiau repeats the Farinelli formula, artistic rivalry and social private drama expressed in dazzling, sometimes excessively lavish baroque scenery, music and costume, but this time in its ultimate setting: Versailles. There are two protagonists - first the title character, Louis XIV, the French sun-king who has two passions, establishing absolute rule over the realm -after decades of religious/civil wars- by divine right and artistic brilliancy as a dancer (like Nero wrote and performed musical poetry), and starts asserting himself against the entourage of his Medici mother, the regent during his minority, by building his palace complex and launching a 'fitting' new, mainly musical display of baroque show. Secondly the musical genius Gianbattista Lulli ('Jean-Baptiste') Lully, a Florentine upstart of unbridled ambition, quickly gains the king's absolute trust, despite the nationalist and aristocratic opposition to a low-born Italian, and thus turns the normally socially humble post of court composer into a 'ministerial portfolio of culture' of Cabinet rank, complete with a monopoly which kills of his artistic rivals in operatic theater. The script also weaves a complex web of court scheming for individual power and social interests, and even a sadistic but accidental murder on a young valet, producing a sensuous and sumptuous drama too complex for this format, ending in a freakish but fatal accident. Louis XIV's mother was Ana de Austria (in French, Anne d' Autriche), the daughter of one of the Hapsburgh Kings of Spain. Maria di Medici (in French, Marie de Médicis) was his grandmother, his father's mother. She was dead before Louis XIV reached the throne. Please correct the reference to "his Medici mother"

How Louis XV, a young king loved by his people, sensitive to the artistic and intellectual turmoil of his century (that of the Enlightenment), will end his reign in decay and hatred? Only fifteen years after his death, it's the Revolution.