Peter Ho, Chenhan Lin, Him Law, Luxia Jiang, Ming Hu, and Henry Lau in Double World (2020)

Movies That Aired on WOIO (FOX/CBS) (Jan-Dec 1994)

Movies to watch awarded or nominated during the Cannes Film Festival in the '80s

Most of the films cited in Unthinking Eurocentrism

not on imdb:

From Eurocentrism to Polycentrism: * Ritual Clowns (1988), Victor Masayesva [From Eurocentrism to Polycentrism: Fourth World and Indigenous Media] *Unbidden Voices (1989) [From Eurocentrism to Polycentrism: The Postcolonial and the Hybrid] *Knowing Her Place (1990) [From Eurocentrism to Polycentrism: The Postcolonial and the Hybrid]

Formations of Colonialist Discourse: *Columbus on Trial (1992), Lourdes Portillo [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *The Columbus Invasion: Colonialism and the Indian Resistance (1992) [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Falsas Historias (False Histories, 1992), Cesary Jaworsky and John Petrizzelli [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Outros Quinhentos (Another Five Hundred Years, 1993) [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Return of the Country (1984), Bob Hicks [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *Magellan's Slave, Kidlat Tahimik [Formations of Colonialist Discourse: Revisionist Film and the Quincentennial] *The Eye of the Empire (1989) [Formations of Colonialist Discourse: Antinomies of Enlightenment and Progress]

The Imperial Imaginary: *Landing of U.S. Troops near Santiago (1902) [The Imperial Imaginary: Projecting the Empire]

Tropes of Empire: *The Sudan (1953) [Tropes of Empire: Mapping Terra Incognita] *The Mask (1980), Ugbona [Tropes of Empire: Mummies and Egyptology] *Ahlam Mumkina / Permissible Dreams (1983), Atteyat El-Abnoudi [Tropes of Empire: The Imaginary of the Harem] *The Veiled Revolution (1982), Elizabeth Fernea [Tropes of Empire: The Imaginary of the Harem]

Stereotype, Realism and the Struggle over Representation:  *Hi Lo Broadway (1933), Al Jolson [Stereotype, Realism and the Struggle over Representation: The Racial Politics of Casting; Ethnicities-in-Relation: Dialectics of Presence/Absence] *From Here, from This Side (1988), Gloria Ribe [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race] *Yellow Tale Blues (1990), Christine Choy and Renee Tajima [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race] *Color Schemes (1989), Shu Lea Cheang [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race; Esthetics of Resistance: Paradigms of Looks] *Fade to Black (1990), Tony Cokes  [Stereotype, Realism and the Struggle over Representation: Writing Hollywood and Race] *Angela Fontanez's The Orixa Tradition [Stereotype, Realism and the Struggle over Representation: The Limits of the Stereotype] *Lil Fenn's Honoring the Ancestors [Stereotype, Realism and the Struggle over Representation: The Limits of the Stereotype] *João Negrinho (1954), Oswaldo Censoni [Stereotype, Realism and the Struggle over Representation: Perspective, Address, Focalization]

Ethnicities-in-Relation: *Birth of the Blues and Syncopation (1943) [Ethnicities-in-Relation: Good Neighbors and Border Crossers] *Mulato (1917), Azevedo [Ethnicities-in-Relation: The Mutual Illumination of Cultures] *The Maids (1985), Muriel Jackson [Ethnicities-in-Relation: The Mutual Illumination of Cultures]

The Third Worldist Film: *Victory of the Chinese People (1950) [The Third Worldist Film: Rewriting Colonial History] *I Miss the Sun (1983), Mary Halawane [The Third Worldist Film: Third Worldist Reflexivity]

Esthetics of Resistance: *Ogum (1990) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Heaven, Earth & Hell (1993), Thomas Allen Harris [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Cycles (1989), Zeinabu Davis [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Coyote Goes Underground (1989) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Ancient Spirit, Living Word - the Oral Tradition (1983) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Live and Remember (1986) [Esthetics of Resistance: The Archaic Sources of Alternative Esthetics] *Sun, Moon and Feather (1989), Spiderwoman Theater [Esthetics of Resistance: Media Jujitsu] *It's a Dictatorship, Eat! (1983) Carlos Anzaldua [Esthetics of Resistance: Media Jujitsu]

Thinking about Unthinking:  *Baktun [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *I Married a Xavante (1955) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *A India (1980) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Terra dos Indios (2005) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Xina Bena - New Era (2006) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Prinop: My First Contact (2007) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *Two Villages, One Walk (2007) [Thinking about Unthinking: Twenty Years After: Transnational Indigeneity] *The Master and the Divine (2013), Thiago da Costa [Thinking about Unthinking: Twenty Years After: Transcultural Becomings]

Dolores Del Río and Joel McCrea in Bird of Paradise (1932)

Lauren Bacall and Humphrey Bogart in To Have and Have Not (1944)

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