Ewa Puszczyńska, Klaudia Śmieja, Jan Naszewski join forces.
Ewa Puszczyńska and Klaudia Śmieja have joined forces with Jan Naszewski’s Poland-based New Europe Film Sales (Rams) to form production company Nem Corp.
The company is putting together a slate that will aim to attract international film projects to Poland, with a view to taking advantage of the 30% tax incentives newly introduced by the Polish parliament, as well as the soft money and private funding opportunities available in the country.
It will do co-production and service work, as well as developing new projects with Polish talents. New Europe will take on...
Ewa Puszczyńska and Klaudia Śmieja have joined forces with Jan Naszewski’s Poland-based New Europe Film Sales (Rams) to form production company Nem Corp.
The company is putting together a slate that will aim to attract international film projects to Poland, with a view to taking advantage of the 30% tax incentives newly introduced by the Polish parliament, as well as the soft money and private funding opportunities available in the country.
It will do co-production and service work, as well as developing new projects with Polish talents. New Europe will take on...
- 8/31/2018
- by Tom Grater
- ScreenDaily
Ewa Puszczyńska, the producer behind Pawel Pawlikowski’s Oscar-winner “Ida” and the director’s Cannes best director award winner and Toronto Film Festival entry “Cold War,” is setting up a new production company, Nem Corp., with Klaudia Śmieja, the producer of Claire Denis’ Toronto film “High Life” and Agnieszka Holland’s upcoming “Gareth Jones,” and sales agent Jan Naszewski’s New Europe Film Sales.
Nem Corp. intends to attract “prestigious international film projects” to Poland, both as co-productions and service work, as well as develop projects of its own with top Polish talent. The company, which is already working on a slate of projects, wants to take advantage of the 30% tax incentive newly introduced by the Polish parliament as well as the soft money and private funding opportunities available in Poland.
Puszczyńska co-produced Robert Schwentke’s “The Captain” and Rezo Gigineishvili’s Berlinale-selected “Hostages,” and works as an expert for the Torino Film Lab.
Nem Corp. intends to attract “prestigious international film projects” to Poland, both as co-productions and service work, as well as develop projects of its own with top Polish talent. The company, which is already working on a slate of projects, wants to take advantage of the 30% tax incentive newly introduced by the Polish parliament as well as the soft money and private funding opportunities available in Poland.
Puszczyńska co-produced Robert Schwentke’s “The Captain” and Rezo Gigineishvili’s Berlinale-selected “Hostages,” and works as an expert for the Torino Film Lab.
- 8/31/2018
- by Leo Barraclough
- Variety Film + TV
Gareth Jones
Polish auteur Agnieszka Holland shows no signs of slowing in her late 60s. The Oscar nominated director (1992’s Europa, Europa for Best Adapted Screenplay) has had a couple of her titles nominated for Best Foreign Language Film (1985’s Bitter Harvest; 2011’s In Darkness) but is probably best known in the Us for her English language films in the 1990s, particularly the Leonardo DiCaprio headlined Total Eclipse (1995).
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Polish auteur Agnieszka Holland shows no signs of slowing in her late 60s. The Oscar nominated director (1992’s Europa, Europa for Best Adapted Screenplay) has had a couple of her titles nominated for Best Foreign Language Film (1985’s Bitter Harvest; 2011’s In Darkness) but is probably best known in the Us for her English language films in the 1990s, particularly the Leonardo DiCaprio headlined Total Eclipse (1995).
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- 1/1/2018
- by Nicholas Bell
- IONCINEMA.com
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